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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    979 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    286 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 115 matching records exist across the two collections.

Results for "Kensington Gardens, No. 2 (The Larger Pl"12 records

Institutions answered newest-first by record, interleaved

Saint Christopher Bearing the Christ Child by Giovanni Antonio da Pordenone (Giovanni Antonio de Sacchis), The Metropolitan Museum of Art

Saint Christopher Bearing the Christ Child

Giovanni Antonio da Pordenone (Giovanni Antonio de Sacchis) (d. 1539)

1484–1539 · Pen and brown ink, brush and brown wash, highlighted with white gouache, on blue paper, squared vertically and horizontally in red chalk, diagonally in charcoal

Cleared · Public Domain

live
The MetSimilar
Nine Studies of the Moses in Santa Maria della Steccata, Parma (recto); Nine Studies for the Eve in Santa Maria della Steccata, Parma (verso) by Parmigianino (Girolamo Francesco Maria Mazzola), The Metropolitan Museum of Art

Nine Studies of the Moses in Santa Maria della Steccata, Parma (recto); Nine Studies for the Eve in Santa Maria della Steccata, Parma (verso)

Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)

1503–40 · Pen and brown ink, brush and brown wash, over traces of black chalk, on beige paper (recto and verso)

Cleared · Public Domain

live
The MetSimilar
Oil lamp in the form of a dwarf on a donkey’s head by Andrea Briosco, called Riccio, The Metropolitan Museum of Art

Oil lamp in the form of a dwarf on a donkey’s head

Andrea Briosco, called Riccio (d. 1532)

mid-16th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Bust of a Roman by an unrecorded maker, The Metropolitan Museum of Art

Bust of a Roman

Unrecorded maker

possibly 16th century · Bronze, on a later wood socle

Cleared · Public Domain

live
The MetSimilar
Coif by an unrecorded maker, The Metropolitan Museum of Art

Coif

Unrecorded maker

early 17th century · Linen embroidered with silk and silver-gilt wrapped thread and spangles

Cleared · Public Domain

live
The MetSimilar
Andiron with figure of Ceres (allegory of Peace) (one of a pair) by Girolamo Campagna, The Metropolitan Museum of Art

Andiron with figure of Ceres (allegory of Peace) (one of a pair)

Girolamo Campagna (d. 1625)

possibly 17th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Andiron with figure of Minerva (allegory of War) (one of a pair) by Girolamo Campagna, The Metropolitan Museum of Art

Andiron with figure of Minerva (allegory of War) (one of a pair)

Girolamo Campagna (d. 1625)

possibly 17th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Chair seat cover by an unrecorded maker, The Metropolitan Museum of Art

Chair seat cover

Unrecorded maker

1725–50 · Cotton, painted resist and mordant, dyed, with overpainting

Cleared · Public Domain

live
The MetSimilar
Automaton in the form of a chariot pushed by a Chinese attendant and set with a clock by James Cox, The Metropolitan Museum of Art

Automaton in the form of a chariot pushed by a Chinese attendant and set with a clock

James Cox (d. 1800)

1766 · Case: gold with diamonds and paste jewels set in silver, pearls; Dial: white enamel; Movement: partly gilded brass and steel, wheel balance and cock of silver set with paste jewels

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 4

Rudolph Ackermann, London (d. 1832)

July–December 1810 · Illustrations: Hand-colored etching, engraving, stipple, woodcut and textile samples

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Kensington Gardens, No. 2 (Large Plate)

Sir Francis Seymour Haden (d. 1910)

1860 · Etching and drypoint; first state of two (Harrington); second state of three (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Kensington Gardens, No. 2 (Large Plate)

Sir Francis Seymour Haden (d. 1910)

1860 · Etching and drypoint; second state of two (Harrington); third state of three (Schneiderman)

In copyright

live
The MetSimilar

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