Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    300 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    264 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 18 matching records exist across the two collections.

Results for "Kero (beaker)"12 records

Institutions answered newest-first by record, interleaved

Beaker with face by Condorhuasi-Alamito artist(s), The Metropolitan Museum of Art

Beaker with face

Condorhuasi-Alamito artist(s)

500 BCE–500 CE · Stone

Cleared · Public Domain

live
The MetSimilar
Kero (beaker) by Tiwanaku artist(s), The Metropolitan Museum of Art

Kero (beaker)

Tiwanaku artist(s)

500–1000 CE · Wood

Cleared · Public Domain

live
The MetSimilar
Hand with beaker by Inca artist(s), The Metropolitan Museum of Art

Hand with beaker

Inca artist(s)

1400–1535 CE · Ceramic, slip

Cleared · Public Domain

live
The MetSimilar
Kero (beaker) by Inca artist(s), The Metropolitan Museum of Art

Kero (beaker)

Inca artist(s)

1400–1535 CE · Wood

Cleared · Public Domain

live
The MetSimilar
Kero (beaker) by Inca artist(s), The Metropolitan Museum of Art

Kero (beaker)

Inca artist(s)

1400–1535 CE · Wood

Cleared · Public Domain

live
The MetSimilar
Kero by an unrecorded maker, The Metropolitan Museum of Art

Kero

Unrecorded maker

late 15th–early 16th century · Ceramic

Cleared · Public Domain

live
The MetSimilar
Kero (beaker) by Peruvian artist(s), The Metropolitan Museum of Art

Kero (beaker)

Peruvian artist(s)

Late 16th century · Wood, pigment, resin

Cleared · Public Domain

live
The MetSimilar
Kero (beaker) by Peruvian artist(s), The Metropolitan Museum of Art

Kero (beaker)

Peruvian artist(s)

Early 17th century · Wood, tin, pigment, resin

Cleared · Public Domain

live
The MetSimilar
Kero (beaker) by Peruvian artist(s), The Metropolitan Museum of Art

Kero (beaker)

Peruvian artist(s)

Early 17th century · Wood, tin, pigment, resin

Cleared · Public Domain

live
The MetSimilar
Kero by an unrecorded maker, The Metropolitan Museum of Art

Kero

Unrecorded maker

16th–18th century · Wood

Cleared · Public Domain

live
The MetSimilar
Kero by an unrecorded maker, The Metropolitan Museum of Art

Kero

Unrecorded maker

17th–18th century · Wood, pigmented resin inlay

Cleared · Public Domain

live
The MetSimilar
Kero by an unrecorded maker, The Metropolitan Museum of Art

Kero

Unrecorded maker

17th–18th century · Wood, metal stud and pigmented resin inlays

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.