Round Insert from a Coptic Tunic or Shawl
Unrecorded maker
7th century · Linen, wool; plain weave, tapestry weave
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
274 ms. The Metropolitan Museum of Art, Collection API (Open Access)
509 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 40 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Round Insert from a Coptic Tunic or Shawl
Unrecorded maker
7th century · Linen, wool; plain weave, tapestry weave
Cleared · Public Domain
live
Keystone of an Arch: Female Bust within a Medallion Supported by Angels
Unrecorded maker
400s · Sculpture, limestone
Cleared · CC0
live
Fragment of a Storage Vessel (Habb)
Unrecorded maker
13th century · Earthenware; molded, pierced, barbotine, engraved
Cleared · Public Domain
live
Bust portrait of Cosimo I de' Medici, in an oval frame set within a rectangular plaque, surrounded by fantastical ornament
Nicolò Nelli (d. 1579)
1567 · Etching and engraving
Cleared · Public Domain
live
Bust of a woman flanked by three women on each side, set within an elaborate frame
Battista Angolo del Moro (d. 1573)
ca. 1540–80 · Etching
Cleared · Public Domain
live
Design for a Knife Handle with Personifications of Charity and Patience
Johann Theodor de Bry (d. 1623)
1580–1600 · Engraving and blackwork
Cleared · Public Domain
live
Design for an Epitaph
Jean Lenfant (d. 1674)
1660 · Etching
Cleared · Public Domain
live
Frontispiece from Thomas Sprat's "The History of the Royal Society of London"
Wenceslaus Hollar (d. 1677)
1667 · Etching, only state
Cleared · Public Domain
live
Le Concert
Antoine Jean Duclos (d. 1795)
1774 · Etching and engraving
Cleared · Public Domain
live
The Graces Crowning the Bust of Raphael
Francesco Bartolozzi (d. 1815)
July 28, 1788 · Stipple engraving; fourth state of four
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 13, from "Livre D'architecture de Porte et Cheminees"
D. Antoine Pierretz (d. 1700)
ca. 1647 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Triumphal Arch with Imagery celebrating Architecture
Anonymous, Central European, 18th century (d. 1800)
ca. 1720–50 · Pen and ink with wash over graphite underdrawing
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.