
David Garrick as King Lear (Shakespeare, King Lear, Act 3, Scene 1)
James McArdell (d. 1765)
1761 · Mezzotint; first state of two, proof before letters
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
216 ms. The Metropolitan Museum of Art, Collection API (Open Access)
532 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 30 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

David Garrick as King Lear (Shakespeare, King Lear, Act 3, Scene 1)
James McArdell (d. 1765)
1761 · Mezzotint; first state of two, proof before letters
Cleared · Public Domain
live
Cordelia Parting from her Sisters
Ford Madox Brown (d. 1893)
1854 · Painting, pen and oil on paper on panel
Cleared · CC0
live
Mr. Garrick in the Character of King Lear (Shakespeare, King Lear, Act 3, Scene 1)
James McArdell (d. 1765)
1761 · Mezzotint; second state
Cleared · Public Domain
live
Richard II
John Hamilton Mortimer (d. 1779)
1775 · Print, etching in brown ink
Cleared · CC0
live
King Lear
William Sharp (d. 1824)
1783 · Etching and engraving
Cleared · Public Domain
live
King Lear and Cordelia (Shakespeare, King Lear, Act 4, Scene 7)
Francesco Bartolozzi (d. 1815)
ca. 1783 · Stipple engraving, printed in brown ink
Cleared · Public Domain
live
King Lear Weeping Over the Body of Cordelia (Shakespeare, King Lear, Act 5, Scene 3)
Francis Legat (d. 1809)
August 1, 1792 · Etching and engraving
Cleared · Public Domain
live
Cordelia and King Lear (Shakespeare, King Lear, Act 4, Scene 7)
Charles Heath (d. 1848)
1825–40 · Etching and engraving
Cleared · Public Domain
live
King Lear Casting Out His Daughter Cordelia (Shakespeare, King Lear, Act 1, Scene 1)
Richard Earlom (d. 1822)
first published 1792; reissued 1852 · Stipple engraving; fourth state of four
Cleared · Public Domain
live
"King Lear," Act I, Scene I
Edwin Austin Abbey (d. 1911)
1898 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Eastern Patriarch [King Lear]
James Barry (d. 1806)
1803 · Pen lithograph with gray aquatint mount
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Eastern Patriarch [King Lear]
James Barry (d. 1806)
1803–6 · Pen lithograph on pale yellow-beige aquatint mount
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.