
Kingdom of Pluto; a view of the underworld with Pluto and Proserpina enthroned at center, surrounded by demons; set design from 'Il Pomo D'Oro'
Mathäus Küsel (d. 1682)
1668 · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
493 ms. The Metropolitan Museum of Art, Collection API (Open Access)
329 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 900 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Kingdom of Pluto; a view of the underworld with Pluto and Proserpina enthroned at center, surrounded by demons; set design from 'Il Pomo D'Oro'
Mathäus Küsel (d. 1682)
1668 · Etching
Cleared · Public Domain
live
A Back View of the Cape
James Gillray (d. 1815)
March 23, 1792 · Hand-colored etching
Cleared · Public Domain
live
A VIEW/ NEAR/ PHILADELPHIA
Unrecorded maker
ca. 1830–ca. 1835 · Earthenware, transfer-printed
Cleared · Public Domain
live
VIew / of Newburgh
Job & John Jackson (d. 1835)
ca. 1831–ca. 1835 · Earthenware, transfer-printed
Cleared · Public Domain
live
View of / Newburgh
Job & John Jackson (d. 1835)
ca. 1831–ca. 1835 · Earthenware, transfer-printed
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of Greenwich
Wenceslaus Hollar (d. 1677)
1637 · Etching, printed from two plates on two joined sheets; Fifth state of five (NH)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A View of New York, from the Atlantic Neptune
Joseph Frederick Wallet Des Barres (d. 1824)
1777 · Aquatint; proof before letters
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A View of the Telegraph, Cambridge
Robert Dighton the Elder (d. 1814)
May 1809 · Hand-colored etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Phantasmagoria A View Of Elephanta
Thomas Rowlandson (d. 1827)
1815 · Hand-colored etching and aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A View of Yarmouth
Richard Dighton (d. 1880)
1818 · Hand-colored etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bradford: View of a Town
Edward Alexander Wadsworth (d. 1949)
1914 · Woodcut on gray paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of a Town
Edward Alexander Wadsworth (d. 1949)
1916 · Woodcut on gray paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.