Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    356 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    362 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 12 matching records exist across the two collections.

Results for "Kiyomizu Komachi, from the series Futaba"12 records

Institutions answered newest-first by record, interleaved

A Garden of Celebrated Japanese and Chinese Paintings (Wakan meigaen} 和漢名画苑 by Ooka Shunboku 大岡春卜, The Metropolitan Museum of Art

A Garden of Celebrated Japanese and Chinese Paintings (Wakan meigaen} 和漢名画苑

Ooka Shunboku 大岡春卜 (d. 1763)

1750 · Set of six woodblock-printed books bound as one, with additional volume; ink on paper

Cleared · Public Domain

live
The MetSimilar
Shimizu Temple by Suzuki Harunobu, The Metropolitan Museum of Art

Shimizu Temple

Suzuki Harunobu (d. 1770)

ca. 1765 · Woodblock print; ink and color on paper; Benizuri-e; small print (hosoban)

Cleared · Public Domain

live
The MetSimilar
"Visiting," from the Series Seven Fashionable Komachi by Isoda Koryūsai, The Metropolitan Museum of Art

"Visiting," from the Series Seven Fashionable Komachi

Isoda Koryūsai (d. 1790)

1790 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Ono no Komachi: Number Two (Sono ni), from the series Stylish Parodies of the Six Poetic Immortals (Fūryū yatsushi rokkasen) by Chōbunsai Eishi, The Metropolitan Museum of Art

Ono no Komachi: Number Two (Sono ni), from the series Stylish Parodies of the Six Poetic Immortals (Fūryū yatsushi rokkasen)

Chōbunsai Eishi (d. 1829)

1790s · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
“Hanamurasaki of the Tamaya,” from the series Seven Komachi of the Pleasure Quarters (Seirō Nana Komachi) by Kitagawa Utamaro, The Metropolitan Museum of Art

“Hanamurasaki of the Tamaya,” from the series Seven Komachi of the Pleasure Quarters (Seirō Nana Komachi)

Kitagawa Utamaro (d. 1806)

ca. 1790 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Kiyomizu Komachi, from the series Futabagusa nana Komachi by Kitagawa Utamaro, The Metropolitan Museum of Art

Kiyomizu Komachi, from the series Futabagusa nana Komachi

Kitagawa Utamaro (d. 1806)

1790s · Woodblock print (nishiki-e); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The Courtesan Takigawa of the Ōgiya Brothel, from the series Seven Beautiful Komachi by Utagawa Toyokuni I, The Metropolitan Museum of Art

The Courtesan Takigawa of the Ōgiya Brothel, from the series Seven Beautiful Komachi

Utagawa Toyokuni I (d. 1825)

ca. 1794 · Woodblock print (nishiki-e); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Kayoi Komachi, from the series "Seven Elegant Episodes of the Poet Komachi" (Fūryū nanakomachi kayoi) by Chōbunsai Eishi, The Metropolitan Museum of Art

Kayoi Komachi, from the series "Seven Elegant Episodes of the Poet Komachi" (Fūryū nanakomachi kayoi)

Chōbunsai Eishi (d. 1829)

ca. 1795 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Kayoi Komachi, from the series "Seven Episodes of the Poet Komachi" by Utagawa Toyokuni I, The Metropolitan Museum of Art

Kayoi Komachi, from the series "Seven Episodes of the Poet Komachi"

Utagawa Toyokuni I (d. 1825)

ca. 1795 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
“The Poet Ariwara no Narihira (825–880) and Ono no Komachi,” from the series Five Colors of Love for the Six Poetic Immortals (Goshiki-zome rokkasen) by Kitagawa Utamaro, The Metropolitan Museum of Art

“The Poet Ariwara no Narihira (825–880) and Ono no Komachi,” from the series Five Colors of Love for the Six Poetic Immortals (Goshiki-zome rokkasen)

Kitagawa Utamaro (d. 1806)

ca. 1798 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Kiyomizu Temple (Kiyomizu), from the series Famous Views of Kyoto (Kyōto meisho no uchi) by Utagawa Hiroshige, The Metropolitan Museum of Art

Kiyomizu Temple (Kiyomizu), from the series Famous Views of Kyoto (Kyōto meisho no uchi)

Utagawa Hiroshige (d. 1858)

ca. 1834 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Scent of Scarlet Flowers (Shuka funpō)

Kaburaki Kiyokata 鏑木清方 (d. 1972)

1922 · Two-panel folding screen; ink and color on silk; gold leaf applied on the reverse side (urahaku)

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.