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Seated or Kneeling Female Figure

Unrecorded maker

ca. 6th–8th century · Phyllitic schist

Four Saints (recto); Two Saints, Seated Madonna, and Kneeling Figure (verso)

Anonymous, Italian, probably Umbrian, 14th century (d. 1400)

1375–1400 · Pen and brown ink, highlighted with white gouache

Sketches of Figures of the Virgin Kneeling, Saint Peter Standing, Seated Allegorical Figures of Faith and Charity, and Child Standing on a Corbel (?) (recto); Sketches of Figures of Saint Sebastian Standing and the Virgin and Child with Angels (verso)

Francesco di Simone Ferrucci (d. 1493)

1487–88 · Pen and brown ink, over leadpoint or black chalk, on rose-washed paper

Kneeling, Seated and Standing Figures (recto); Seated, Kneeling and Reclining Figures (verso)

Perino del Vaga (Pietro Buonaccorsi) (d. 1547)

1501–47 · Pen and brown ink, reworked with black ink (recto); pen and brown and black ink (verso)

Standing and Seated Figures in a Landscape with an Obelisk

Giovanni Battista Pittoni the Elder (d. 1583)

1520–83 · Pen and brown ink

Group of Nude Male Figures Kneeling and Standing in Supplication

Giovanni Baglione (d. 1643)

ca. 1598 · Pen and brown ink, brush and brown wash; squared in red chalk

Standing and Kneeling Figures, and Studies of Flying Putti

Francesco Curia (d. 1608)

1565–1608 · Pen and brown ink, with traces of black chalk

Standing and Seated Figures

Francesco Curia (d. 1608)

1565–1608 · Pen and brown ink.

Studies for Standing and Seated Figures

Salvator Rosa (d. 1673)

1634–45 · Pen and brown ink, brush and gray and brown wash, over leadpoint or graphite

Figure studies: seated and standing men

Salvator Rosa (d. 1673)

1615–73 · Pen and brown ink, over traces of black chalk

Group of Four Standing and Seated Figures and a Child

Ercole Procaccini The Younger (d. 1680)

17th century · Pen and brown ink, brush and brown wash, over red chalk, highlighted with white gouache, on blue paper faded to gray-brown

Two Kneeling and Two Standing Figures

Nicola Maria Rossi (d. 1758)

1690–1758 · Pen, brown ink, gray wash, over black chalk. Scribbled figure studies in pen and black chalk on verso, including a young man and a bishop in a mitre