
Large Kneeling Statue of Hatshepsut
Unrecorded maker
ca. 1473–1458 BCE · Granite
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
209 ms. The Metropolitan Museum of Art, Collection API (Open Access)
295 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 101 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Large Kneeling Statue of Hatshepsut
Unrecorded maker
ca. 1473–1458 BCE · Granite
Cleared · Public Domain
live
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) (d. 1438)
1435–38 · Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)
Cleared · Public Domain
live
The Lamentation
Unrecorded maker
ca. 1490–1505 · Wool warp, wool, silk, and gilt wefts
Cleared · Public Domain
live
Kneeling Bearded Old Man (recto); Section of a Draped Limb and Sketches (verso)
Nosadella (Giovanni Francesco Bezzi) (d. 1571)
1500–1571 · Red chalk, pen and brown ink with brush and brown and red wash, highlighted with a little white (recto); pen sketch of a seated, bearded man, and a red chalk drapery (?) study amongst charcoal or black chalk transfer preparation (verso)
Cleared · Public Domain
live
Studies for a Figure of Saint Francis Kneeling in a Three-Quarter View and for His Hands (recto); Studies for a Figure of Saint Francis Kneeling in Profile (verso)
Annibale Carracci (d. 1609)
1583–85 · Red chalk with white chalk highlights, pen and brown ink (recto); red chalk (verso)
Cleared · Public Domain
live
Young Woman on a Cloud with Three Figures (recto); Studies of an Old Man and a Hand (verso)
Francesco Furini (d. 1646)
17th century · Red chalk, highlighted with white chalk
Cleared · Public Domain
live
Head of a Bearded Man Looking to Upper Right (recto); Head of an Old Man and a Drapery Study (verso)
Giacomo Cavedone (d. 1660)
1577–1660 · Black chalk (recto and verso)
Cleared · Public Domain
live
The Martyrdom of Saint Sebastian (recto); Bearded Old Man Blessing Seen in Half-length (verso)
Francesco Allegrini (d. 1679)
1624–63 · Pen and brown ink (recto and verso). Framing lines in black chalk, and pen and brown ink on mount
Cleared · Public Domain
live
Young Man Approaching Old Bearded Man Who Stands on Steps (recto); Male Nude with Bent Right Knee (verso)
Anonymous, Spanish, School of Seville, 17th century (d. 1700)
17th century · Pen and brown ink with brush and brown wash, over black chalk underdrawing (recto). On off-white paper. Pen and brown ink with brush and brown wash over black chalk underdrawing (verso)
Cleared · Public Domain
live
A nude youth on horseback, a male nude with raised arm, and a cloaked bearded man (recto). A sleeping girl and a man in medieval dress (verso)
Theodor Richard Edward von Holst (d. 1844)
1830–44 · Pen and ink and graphite (recto); graphite (verso)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. John with the Lamb of God (?) (recto); Various Sketches for an Ascension and other Religious Scenes (verso)
Franz Anton Maulbertsch (d. 1796)
ca. 1750–96 · Pen and ink with wash over a graphite or black chalk underdrawing (recto); Red chalk, black chalk, pen and ink with wash (verso)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album containing drawings, prints, manuscript pages and newspaper clippings
Marcus Clayton Stone (d. 1921)
1850–80 · Watercolor, pen and ink, wood engraving, engraving, printed text
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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