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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    209 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    295 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 101 matching records exist across the two collections.

Results for "Kneeling Bearded Old Man (recto); Sectio"12 records

Institutions answered newest-first by record, interleaved

Large Kneeling Statue of Hatshepsut by an unrecorded maker, The Metropolitan Museum of Art

Large Kneeling Statue of Hatshepsut

Unrecorded maker

ca. 1473–1458 BCE · Granite

Cleared · Public Domain

live
The MetSimilar
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso) by Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia), The Metropolitan Museum of Art

Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)

Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) (d. 1438)

1435–38 · Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)

Cleared · Public Domain

live
The MetSimilar
The Lamentation by an unrecorded maker, The Metropolitan Museum of Art

The Lamentation

Unrecorded maker

ca. 1490–1505 · Wool warp, wool, silk, and gilt wefts

Cleared · Public Domain

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The MetSimilar
Kneeling Bearded Old Man (recto); Section of a Draped Limb and Sketches (verso) by Nosadella (Giovanni Francesco Bezzi), The Metropolitan Museum of Art

Kneeling Bearded Old Man (recto); Section of a Draped Limb and Sketches (verso)

Nosadella (Giovanni Francesco Bezzi) (d. 1571)

1500–1571 · Red chalk, pen and brown ink with brush and brown and red wash, highlighted with a little white (recto); pen sketch of a seated, bearded man, and a red chalk drapery (?) study amongst charcoal or black chalk transfer preparation (verso)

Cleared · Public Domain

live
The MetSimilar
Studies for a Figure of Saint Francis Kneeling in a Three-Quarter View and for His Hands (recto); Studies for a Figure of Saint Francis Kneeling in Profile (verso) by Annibale Carracci, The Metropolitan Museum of Art

Studies for a Figure of Saint Francis Kneeling in a Three-Quarter View and for His Hands (recto); Studies for a Figure of Saint Francis Kneeling in Profile (verso)

Annibale Carracci (d. 1609)

1583–85 · Red chalk with white chalk highlights, pen and brown ink (recto); red chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Young Woman on a Cloud with Three Figures (recto); Studies of an Old Man and a Hand (verso) by Francesco Furini, The Metropolitan Museum of Art

Young Woman on a Cloud with Three Figures (recto); Studies of an Old Man and a Hand (verso)

Francesco Furini (d. 1646)

17th century · Red chalk, highlighted with white chalk

Cleared · Public Domain

live
The MetSimilar
Head of a Bearded Man Looking to Upper Right (recto); Head of an Old Man and a Drapery Study (verso) by Giacomo Cavedone, The Metropolitan Museum of Art

Head of a Bearded Man Looking to Upper Right (recto); Head of an Old Man and a Drapery Study (verso)

Giacomo Cavedone (d. 1660)

1577–1660 · Black chalk (recto and verso)

Cleared · Public Domain

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The MetSimilar
The Martyrdom of Saint Sebastian (recto); Bearded Old Man Blessing Seen in Half-length (verso) by Francesco Allegrini, The Metropolitan Museum of Art

The Martyrdom of Saint Sebastian (recto); Bearded Old Man Blessing Seen in Half-length (verso)

Francesco Allegrini (d. 1679)

1624–63 · Pen and brown ink (recto and verso). Framing lines in black chalk, and pen and brown ink on mount

Cleared · Public Domain

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The MetSimilar
Young Man Approaching Old Bearded Man Who Stands on Steps (recto); Male Nude with Bent Right Knee (verso) by Anonymous, Spanish, School of Seville, 17th century, The Metropolitan Museum of Art

Young Man Approaching Old Bearded Man Who Stands on Steps (recto); Male Nude with Bent Right Knee (verso)

Anonymous, Spanish, School of Seville, 17th century (d. 1700)

17th century · Pen and brown ink with brush and brown wash, over black chalk underdrawing (recto). On off-white paper. Pen and brown ink with brush and brown wash over black chalk underdrawing (verso)

Cleared · Public Domain

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The MetSimilar
A nude youth on horseback, a male nude with raised arm, and a cloaked bearded man (recto). A sleeping girl and a man in medieval dress (verso) by Theodor Richard Edward von Holst, The Metropolitan Museum of Art

A nude youth on horseback, a male nude with raised arm, and a cloaked bearded man (recto). A sleeping girl and a man in medieval dress (verso)

Theodor Richard Edward von Holst (d. 1844)

1830–44 · Pen and ink and graphite (recto); graphite (verso)

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

St. John with the Lamb of God (?) (recto); Various Sketches for an Ascension and other Religious Scenes (verso)

Franz Anton Maulbertsch (d. 1796)

ca. 1750–96 · Pen and ink with wash over a graphite or black chalk underdrawing (recto); Red chalk, black chalk, pen and ink with wash (verso)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Album containing drawings, prints, manuscript pages and newspaper clippings

Marcus Clayton Stone (d. 1921)

1850–80 · Watercolor, pen and ink, wood engraving, engraving, printed text

In copyright

live
The MetSimilar

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