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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    194 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    7 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 134 matching records exist across the two collections.

Results for "Kneeling Boy"12 records

Institutions answered newest-first by record, interleaved

Bronze statuette of a kneeling boy holding a hare by an unrecorded maker, The Metropolitan Museum of Art

Bronze statuette of a kneeling boy holding a hare

Unrecorded maker

ca. 3rd–2nd century BCE · Bronze

Cleared · Public Domain

live
The MetSimilar
Kneeling Boy, Fragment by an unrecorded maker, The Cleveland Museum of Art

Kneeling Boy, Fragment

Unrecorded maker

1500s · Ivory, ivory

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Seated boy by an unrecorded maker, The Metropolitan Museum of Art

Seated boy

Unrecorded maker

3rd–2nd century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Kneeling Boy Holding a Vase by an unrecorded maker, The Cleveland Museum of Art

Kneeling Boy Holding a Vase

Unrecorded maker

1700s-1800s · Ceramic, porcelain, molded and carved, with underglaze blue

Cleared · CC0

live
Cleveland Museum of ArtSimilar
A Kneeling Man in Fifteenth-Century Costume (recto); a small, fragmentary sketch of a recumbant boy, probably by a later hand (verso) by Pinturicchio, The Metropolitan Museum of Art

A Kneeling Man in Fifteenth-Century Costume (recto); a small, fragmentary sketch of a recumbant boy, probably by a later hand (verso)

Pinturicchio (d. 1513)

ca. 1509 · Metalpoint, heightened with white, reworked with the point of the brush and gray ink, on gray prepared paper.

Cleared · Public Domain

live
The MetSimilar
Kneeling Boy by an unrecorded maker, The Cleveland Museum of Art

Kneeling Boy

Unrecorded maker

early 1900s · Ivory, ivory

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Kneeling boy by an unrecorded maker, The Metropolitan Museum of Art

Kneeling boy

Unrecorded maker

16th–17th century · Sandstone

Cleared · Public Domain

live
The MetSimilar
Kneeling Boy by an unrecorded maker, The Cleveland Museum of Art

Kneeling Boy

Unrecorded maker

early 1900s · Ivory, ivory

Cleared · CC0

live
Cleveland Museum of ArtSimilar
A High-Priest, the Prophetess Anna (?) and a Kneeling Boy around a Table by Anton Kern, The Metropolitan Museum of Art

A High-Priest, the Prophetess Anna (?) and a Kneeling Boy around a Table

Anton Kern (d. 1747)

1745 · Brush and red wash, heightened with white bodycolor, over graphite; framing lines in pen and black ink

Cleared · Public Domain

live
The MetSimilar
Kneeling Boy (base) by an unrecorded maker, The Cleveland Museum of Art

Kneeling Boy (base)

Unrecorded maker

early 1900s · Ivory, wood

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Joy of the Cellar: kneeling farmer boy holding a jug next to wine barrel by Adam von Bartsch, The Metropolitan Museum of Art

The Joy of the Cellar: kneeling farmer boy holding a jug next to wine barrel

Adam von Bartsch (d. 1821)

1786 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
Mirror with Engraved Scene: Man Threatening Child (Telephos and Orestes?) by an unrecorded maker, The Cleveland Museum of Art

Mirror with Engraved Scene: Man Threatening Child (Telephos and Orestes?)

Unrecorded maker

c. 330–300 BCE · Metalwork, bronze

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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