Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
759 ms. The Metropolitan Museum of Art, Collection API (Open Access)
384 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 613 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Virgin and Child Enthroned with Saint Anthony Abbot, Saint Peter, Saint Paul, Saint Julian the Hospitaler, Saint Roch, and Saint Mary Magdalen?
Perino del Vaga (Pietro Buonaccorsi) (d. 1547)
1522–23 · Pen and brown ink, highlighted with white gouache, on brownish paper
Cleared · Public Domain
live
Saint Catherine with a Kneeling Male Donor
Unrecorded maker
1400s · Glass, pot metal, white glass with silver stain
Cleared · CC0
live
Studies for a Figure of Saint Francis Kneeling in a Three-Quarter View and for His Hands (recto); Studies for a Figure of Saint Francis Kneeling in Profile (verso)
Annibale Carracci (d. 1609)
1583–85 · Red chalk with white chalk highlights, pen and brown ink (recto); red chalk (verso)
Cleared · Public Domain
live
Kneeling Saint
Unrecorded maker
1750–1800 · Sculpture, painted and gilded wood
Cleared · CC0
live
Group of Laborers in a Field (recto); Angel Appearing to a Kneeling Saint (verso)
Giovanni Battista Maganza the Elder (d. 1586)
1530–86 · Pen and brown ink, brush and pale brown wash, over black-chalk (recto and verso)
Cleared · Public Domain
live
Kneeling Prophet from the Reliquary Chasse of Saint-Germain-des-Prés
Jean de Clichy
1409 · Sculpture, gilt bronze
Cleared · CC0
live
Saint Francis Kneeling in a Grotto, holding a Book and a Skull
Nicolaas van der Horst (d. 1646)
1627 or before · Pen and brown ink, brown washes; incised for transfer
Cleared · Public Domain
live
St. Francis Kneeling before Christ on the Cross
Sassetta (d. 1450)
1437–1444 · Painting, tempera and gold on wood
Cleared · CC0
live
Studies of Architectural Moldings, of the Virgin and Child with a Kneeling Saint, and of Two Angels Supporting Frames (recto); Studies for Architectural Mouldings (verso)
Baldassarre Franceschini (il Volterrano) (d. 1690)
1611–89 · Pen and brown ink, red chalk, a little black chalk (recto); further studies of moldings in red chalk and pen and brown ink (verso)
Cleared · Public Domain
live
The Mass of Saint Gregory
Hans Baldung (d. 1545)
1511 · Painting, oil and tempera on wood
Cleared · CC0
live
Kneeling Saint and Lost Souls before the Madonna and Child, with Four Alternate Border Designs
Anonymous, Italian, 17th century (d. 1700)
17th century · Pen and brown ink, over graphite
Cleared · Public Domain
live
Predella Panel from an Altarpiece: St. Catherine of Siena Invested with the Dominican Habit
Giovanni di Paolo (d. 1482)
1460s · Painting, tempera and gold on wood panel
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.