Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    495 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    413 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 48 matching records exist across the two collections.

Results for "Kneeling Satyr"12 records

Institutions answered newest-first by record, interleaved

Terracotta fragment of a kylix: eye-cup (drinking cup) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta fragment of a kylix: eye-cup (drinking cup)

Unrecorded maker

520–510 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Kneeling Satyr by Severo da Ravenna, The Cleveland Museum of Art

Kneeling Satyr

Severo da Ravenna (d. 1543)

c. 1520 · Sculpture, bronze

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Terracotta stand with a satyr by an unrecorded maker, The Metropolitan Museum of Art

Terracotta stand with a satyr

Unrecorded maker

late 4th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Wild Man by an unrecorded maker, The Cleveland Museum of Art

Wild Man

Unrecorded maker

late 1400s · Sculpture, copper alloy

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Right corner of a marble sarcophagus with the myth of Apollo and the satyr Marsyas by an unrecorded maker, The Metropolitan Museum of Art

Right corner of a marble sarcophagus with the myth of Apollo and the satyr Marsyas

Unrecorded maker

ca. 210–230 CE · Marble

Cleared · Public Domain

live
The MetSimilar
Right corner of a sarcophagus with the myth of the musical contest between the satyr Marsyas and the god Apollo by an unrecorded maker, The Metropolitan Museum of Art

Right corner of a sarcophagus with the myth of the musical contest between the satyr Marsyas and the god Apollo

Unrecorded maker

ca. 210–230 CE · Marble

Cleared · Public Domain

live
The MetSimilar
Satyr by Desiderio da Firenze, The Metropolitan Museum of Art

Satyr

Desiderio da Firenze (d. 1545)

ca. 1530 · Copper alloy with a reddish brown patina; the base and shell with a dark brown patina.

Cleared · Public Domain

live
The MetSimilar
Kneeling Satyr by Andrea Briosco, called Riccio, The Metropolitan Museum of Art

Kneeling Satyr

Andrea Briosco, called Riccio (d. 1532)

16th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Five boys, two satyrs and a goat by Wenceslaus Hollar, The Metropolitan Museum of Art

Five boys, two satyrs and a goat

Wenceslaus Hollar (d. 1677)

1647 · Etching, only state

Cleared · Public Domain

live
The MetSimilar
Four boys, two satyrs and a goat by Wenceslaus Hollar, The Metropolitan Museum of Art

Four boys, two satyrs and a goat

Wenceslaus Hollar (d. 1677)

1654 · Etching, first state of two

Cleared · Public Domain

live
The MetSimilar
The Frontispiece and Its Explanation (Plate 1: Illustrations to Samuel Butler's Hudibras) by William Hogarth, The Metropolitan Museum of Art

The Frontispiece and Its Explanation (Plate 1: Illustrations to Samuel Butler's Hudibras)

William Hogarth (d. 1764)

1725–30 (?) · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
Nymph Supported by Two Satyrs by Jean Honoré Fragonard, The Metropolitan Museum of Art

Nymph Supported by Two Satyrs

Jean Honoré Fragonard (d. 1806)

1763 · Etching, first state of two

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.