Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    302 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 6 matching records exist across the two collections.

Results for "Kneeling bearded figure"6 records

Institutions answered newest-first by record, interleaved

Kneeling Male Figure by an unrecorded maker, The Cleveland Museum of Art

Kneeling Male Figure

Unrecorded maker

1010–80 · Sculpture, bronze

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Siana Cup (Black-Figure Kylix [Drinking Cup]): Horseman and Warriors by an unrecorded maker, The Cleveland Museum of Art

Siana Cup (Black-Figure Kylix [Drinking Cup]): Horseman and Warriors

Unrecorded maker

575–550 BCE · Ceramic, ceramic

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Meeting of Christ with Martha and Mary after the Death of Lazarus by Rembrandt van Rijn, The Cleveland Museum of Art

The Meeting of Christ with Martha and Mary after the Death of Lazarus

Rembrandt van Rijn (d. 1669)

c. 1662–65 · Drawing, reed pen and brown ink and wash, heightened with white gouache (in the heads of the kneeling figures)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Mirror with Engraved Scene: Man Threatening Child (Telephos and Orestes?) by an unrecorded maker, The Cleveland Museum of Art

Mirror with Engraved Scene: Man Threatening Child (Telephos and Orestes?)

Unrecorded maker

c. 330–300 BCE · Metalwork, bronze

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Virgin and Child with Saints and Donors by Giovanni Battista Cima da Conegliano, The Cleveland Museum of Art

Virgin and Child with Saints and Donors

Giovanni Battista Cima da Conegliano (d. 1518)

c. 1515 · Painting, oil on wood

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Adoration of the Magi by Giovanni Battista Tiepolo, The Cleveland Museum of Art

The Adoration of the Magi

Giovanni Battista Tiepolo (d. 1770)

c. 1740 · Drawing, pen and brown ink and brush and brown wash, over black chalk

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.