Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    411 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    373 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 14,042 matching records exist across the two collections.

Results for "Known as "Sleep""12 records

Institutions answered newest-first by record, interleaved

The Resurrection by Marco Zoppo (Marco Ruggeri known as Lo Zoppo), The Metropolitan Museum of Art

The Resurrection

Marco Zoppo (Marco Ruggeri known as Lo Zoppo) (d. 1478)

ca. 1465–70 · White tempera, brush and brown wash, over black chalk

Cleared · Public Domain

live
The MetSimilar
Lighthouse Village (also known as Cape Elizabeth) by Edward Hopper, The Cleveland Museum of Art

Lighthouse Village (also known as Cape Elizabeth)

Edward Hopper (d. 1967)

1929 · Drawing, Watercolor with graphite and scraping on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Allegory of Sleep by Giorgio Vasari, The Metropolitan Museum of Art

Allegory of Sleep

Giorgio Vasari (d. 1574)

ca. 1570 · Pen and brown ink, brush and brown wash, over traces of red chalk

Cleared · Public Domain

live
The MetSimilar
Elles: Woman Sleeping by Henri de Toulouse-Lautrec, The Cleveland Museum of Art

Elles: Woman Sleeping

Henri de Toulouse-Lautrec (d. 1901)

1896 · Print, color lithograph

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bowl in "Faenza white" maiolica by Leonardo Bettisi, known as Don Pino, The Metropolitan Museum of Art

Bowl in "Faenza white" maiolica

Leonardo Bettisi, known as Don Pino (d. 1589)

ca. 1570–80 · Maiolica (tin-glazed earthenware)

Cleared · Public Domain

live
The MetSimilar
The Garden Court by Edward Burne-Jones, The Cleveland Museum of Art

The Garden Court

Edward Burne-Jones (d. 1898)

1870–75 · Drawing, graphite and watercolor, heightened with white gouache

Cleared · CC0

live
Cleveland Museum of ArtSimilar
William Shakespeare (formerly known as) by Richard Earlom, The Metropolitan Museum of Art

William Shakespeare (formerly known as)

Richard Earlom (d. 1822)

ca. 1770 · Mezzotint

Cleared · Public Domain

live
The MetSimilar
Li Taibo by an unrecorded maker, The Cleveland Museum of Art

Li Taibo

Unrecorded maker

1700s · Stone, amber

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Plate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos)

Goya (Francisco de Goya y Lucientes) (d. 1828)

1799 · Etching, aquatint

Cleared · Public Domain

live
The MetSimilar
Sketch of a Sphinx [?] (verso) by Luc-Olivier Merson, The Cleveland Museum of Art

Sketch of a Sphinx [?] (verso)

Luc-Olivier Merson (d. 1920)

c. 1879–80 · Drawing, black chalk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Sleep of Venus by Pierre Paul Prud'hon, The Metropolitan Museum of Art

The Sleep of Venus

Pierre Paul Prud'hon (d. 1823)

ca. 1806 · Manufactured black and white chalks

Cleared · Public Domain

live
The MetSimilar
The Rest on the Flight into Egypt (recto); Sketch of a Sphinx [?] (verso) by Luc-Olivier Merson, The Cleveland Museum of Art

The Rest on the Flight into Egypt (recto); Sketch of a Sphinx [?] (verso)

Luc-Olivier Merson (d. 1920)

c. 1879–80 · Drawing, gray and graphite wash, with scraping and traces of black chalk

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.