
Fragment of a Lintel
Unrecorded maker
400–550 · Limestone
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
795 ms. The Metropolitan Museum of Art, Collection API (Open Access)
371 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 55 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Fragment of a Lintel
Unrecorded maker
400–550 · Limestone
Cleared · Public Domain
liveCorner of Door Frame with Scrolling Acanthus Leaves
Unrecorded maker
6th–7th century · Limestone; carved in relief
Cleared · Public Domain
live
Door Post with Grapevine Emerging from a Chalice and a Small Cross
Unrecorded maker
6th–7th century · Limestone; carved in relief
Cleared · Public Domain
liveFragment of a Door Post with Acanthus Leaves
Unrecorded maker
6th–7th century · Limestone; carved in relief
Cleared · Public Domain
liveFragment of a Door Post with Acanthus Leaves
Unrecorded maker
6th–7th century · Limestone; carved in relief
Cleared · Public Domain
live
Fragment of a Panel
Unrecorded maker
11th century · Bone; carved
Cleared · Public Domain
live
Panel
Unrecorded maker
13th–14th century · Wood; carved, inlaid with plain and carved ivory
Cleared · Public Domain
live
Panel from Minbar
Unrecorded maker
14th–15th century · Wood; carved, inlaid with carved ivory
Cleared · Public Domain
live
Panel of Minbar
Unrecorded maker
14th–15th century · Wood; carved, inlaid with carved ivory
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Relief fragment from the top of Dagi’s “false door”
Unrecorded maker
ca. 2010–2000 B.C. or ca. 2000–1981 B.C. · Limestone, paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fragment of Door Jamb
Unrecorded maker
probably 12th century · Plaster, mud; painted
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Korugo (carved door) fragment
Senufo artist
late 19th–early 20th century · Wood, pigment
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.