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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    795 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    371 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 55 matching records exist across the two collections.

Results for "Korugo (carved door) fragment"12 records

Institutions answered newest-first by record, interleaved

Fragment of a Lintel by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Lintel

Unrecorded maker

400–550 · Limestone

Cleared · Public Domain

live
The MetSimilar
Corner of Door Frame with Scrolling Acanthus Leaves by an unrecorded maker, The Metropolitan Museum of Art

Corner of Door Frame with Scrolling Acanthus Leaves

Unrecorded maker

6th–7th century · Limestone; carved in relief

Cleared · Public Domain

live
The MetSimilar
Door Post with Grapevine Emerging from a Chalice and a Small Cross by an unrecorded maker, The Metropolitan Museum of Art

Door Post with Grapevine Emerging from a Chalice and a Small Cross

Unrecorded maker

6th–7th century · Limestone; carved in relief

Cleared · Public Domain

live
The MetSimilar
Fragment of a Door Post with Acanthus Leaves by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Door Post with Acanthus Leaves

Unrecorded maker

6th–7th century · Limestone; carved in relief

Cleared · Public Domain

live
The MetSimilar
Fragment of a Door Post with Acanthus Leaves by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Door Post with Acanthus Leaves

Unrecorded maker

6th–7th century · Limestone; carved in relief

Cleared · Public Domain

live
The MetSimilar
Fragment of a Panel by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Panel

Unrecorded maker

11th century · Bone; carved

Cleared · Public Domain

live
The MetSimilar
Panel by an unrecorded maker, The Metropolitan Museum of Art

Panel

Unrecorded maker

13th–14th century · Wood; carved, inlaid with plain and carved ivory

Cleared · Public Domain

live
The MetSimilar
Panel from Minbar by an unrecorded maker, The Metropolitan Museum of Art

Panel from Minbar

Unrecorded maker

14th–15th century · Wood; carved, inlaid with carved ivory

Cleared · Public Domain

live
The MetSimilar
Panel of Minbar by an unrecorded maker, The Metropolitan Museum of Art

Panel of Minbar

Unrecorded maker

14th–15th century · Wood; carved, inlaid with carved ivory

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Relief fragment from the top of Dagi’s “false door”

Unrecorded maker

ca. 2010–2000 B.C. or ca. 2000–1981 B.C. · Limestone, paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fragment of Door Jamb

Unrecorded maker

probably 12th century · Plaster, mud; painted

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Korugo (carved door) fragment

Senufo artist

late 19th–early 20th century · Wood, pigment

In copyright

live
The MetSimilar

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