
L'Eventail (The Fan)
Jacques Callot (d. 1635)
1619 · Etching and engraving; second state of two
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
373 ms. The Metropolitan Museum of Art, Collection API (Open Access)
270 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 11 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

L'Eventail (The Fan)
Jacques Callot (d. 1635)
1619 · Etching and engraving; second state of two
Cleared · Public Domain
live
La femme à l'éventail, after Goya (verso)
Alexander Claude Louis Lavalley (d. 1927)
1900 · Print, intaglio print (photo gravure?)
Cleared · CC0
live
La Dame a l'Eventail (The Lady with a Fan), from "La Noblesse" (The Nobility)
Jacques Callot (d. 1635)
ca. 1623 · Etching
Cleared · Public Domain
live
The Fan (L'Eventail)
Agostino Carracci (d. 1602)
c. 1589–95 · Print, etching
Cleared · CC0
live
Copy of L'Éventail (The Fan)
Anonymous
after 1619 · Etching and engraving
Cleared · Public Domain
live
At the Ball (recto); La femme à l'éventail, after Goya (verso)
Constantin Guys (d. 1892)
19th century · Drawing, pen and black ink and brush and gray wash
Cleared · CC0
live
Femme assise, de profil à droite, jouant de l'eventail
François Boucher (d. 1770)
1726–28, printed 1920s · Facsimile of an etching
Cleared · Public Domain
live
The Broken Fan
Louis Marin Bonnet (d. 1793)
1787–93 · Stipple and wash manner
Cleared · Public Domain
live
L'art de composer et de peindre l'éventail, l'écran, le paravent : ouvrage orné de 16 aquarelles et 112 dessins de l'auteur
Gustave Fraipont (d. 1923)
1893
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
L'Éventail (The Fan)
Jacques Callot (d. 1635)
1619 · Etching and engraving; second state of two (Lieure)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Dame a l'Eventail (The Lady with a Fan), from "La Noblesse" (The Nobility)
Jacques Callot (d. 1635)
ca. 1623 · Etching; first state of two (Lieure)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Dame a l'Eventail (The Lady with a Fan), from "La Noblesse" (The Nobility)
Jacques Callot (d. 1635)
ca. 1623 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.