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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    373 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    270 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 11 matching records exist across the two collections.

Results for "L'éventail"12 records

Institutions answered newest-first by record, interleaved

L'Eventail (The Fan) by Jacques Callot, The Metropolitan Museum of Art

L'Eventail (The Fan)

Jacques Callot (d. 1635)

1619 · Etching and engraving; second state of two

Cleared · Public Domain

live
The MetSimilar
La femme à l'éventail, after Goya (verso) by Alexander Claude Louis Lavalley, The Cleveland Museum of Art

La femme à l'éventail, after Goya (verso)

Alexander Claude Louis Lavalley (d. 1927)

1900 · Print, intaglio print (photo gravure?)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
La Dame a l'Eventail (The Lady with a Fan), from "La Noblesse" (The Nobility) by Jacques Callot, The Metropolitan Museum of Art

La Dame a l'Eventail (The Lady with a Fan), from "La Noblesse" (The Nobility)

Jacques Callot (d. 1635)

ca. 1623 · Etching

Cleared · Public Domain

live
The MetSimilar
The Fan (L'Eventail) by Agostino Carracci, The Cleveland Museum of Art

The Fan (L'Eventail)

Agostino Carracci (d. 1602)

c. 1589–95 · Print, etching

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Copy of L'Éventail (The Fan) by Anonymous, The Metropolitan Museum of Art

Copy of L'Éventail (The Fan)

Anonymous

after 1619 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
At the Ball (recto); La femme à l'éventail, after Goya (verso) by Constantin Guys, The Cleveland Museum of Art

At the Ball (recto); La femme à l'éventail, after Goya (verso)

Constantin Guys (d. 1892)

19th century · Drawing, pen and black ink and brush and gray wash

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Femme assise, de profil à droite, jouant de l'eventail by François Boucher, The Metropolitan Museum of Art

Femme assise, de profil à droite, jouant de l'eventail

François Boucher (d. 1770)

1726–28, printed 1920s · Facsimile of an etching

Cleared · Public Domain

live
The MetSimilar
The Broken Fan by Louis Marin Bonnet, The Metropolitan Museum of Art

The Broken Fan

Louis Marin Bonnet (d. 1793)

1787–93 · Stipple and wash manner

Cleared · Public Domain

live
The MetSimilar
L'art de composer et de peindre l'éventail, l'écran, le paravent : ouvrage orné de 16 aquarelles et 112 dessins de l'auteur by Gustave Fraipont, The Metropolitan Museum of Art

L'art de composer et de peindre l'éventail, l'écran, le paravent : ouvrage orné de 16 aquarelles et 112 dessins de l'auteur

Gustave Fraipont (d. 1923)

1893

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

L'Éventail (The Fan)

Jacques Callot (d. 1635)

1619 · Etching and engraving; second state of two (Lieure)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La Dame a l'Eventail (The Lady with a Fan), from "La Noblesse" (The Nobility)

Jacques Callot (d. 1635)

ca. 1623 · Etching; first state of two (Lieure)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La Dame a l'Eventail (The Lady with a Fan), from "La Noblesse" (The Nobility)

Jacques Callot (d. 1635)

ca. 1623 · Etching

In copyright

live
The MetSimilar

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