
Cupid ("L'Amour Menaçant")
Sèvres Manufactory (d. 9999)
ca. 1761 · Soft-paste biscuit porcelain
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
392 ms. The Metropolitan Museum of Art, Collection API (Open Access)
415 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 119 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Cupid ("L'Amour Menaçant")
Sèvres Manufactory (d. 9999)
ca. 1761 · Soft-paste biscuit porcelain
Cleared · Public Domain
live
L'Amour desarme
Christophe Guerin (d. 1831)
c. 1780–1831 · Print, engraving
Cleared · CC0
live
Teapot with L’amour
Worcester factory (d. 2008)
ca. 1765 · Soft-paste porcelain with transfer-printed decoration
Cleared · Public Domain
live
Les Mystères de l'amour: No. 1
Joseph Guillaume Bourdet (d. 1869)
c. 1843 · Print, lithograph
Cleared · CC0
live
Cupid ("L'Amour Falconet")
Sèvres Manufactory (d. 9999)
ca. 1758–66 · Figure: soft-paste biscuit porcelain; base: glazed porcelain, enameled and gilt
Cleared · Public Domain
live
Cupid ("L'Amour Menaçant")
Sèvres Manufactory (d. 9999)
porcelain after 1761, gilt bronze ca. 1775 · Soft-paste biscuit porcelain, gilt bronze
Cleared · Public Domain
live
L'Amour
Jean François Janinet (d. 1814)
1777 · Etching; second state (?)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
L'Amour
Jean François Janinet (d. 1814)
1777 · Colored etching with aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
L'Amour
Jean François Janinet (d. 1814)
n.d. · Etching, second state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
L'Amour triomphant
Joseph Charles Meulemeester (d. 1836)
1809 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Love
Paul-Albert Besnard (d. 1934)
1885–87 · Etching; second state of three; rare
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
L'amour blessé
A. Ringotz (d. 1900)
19th century · Etching on laid paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.