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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    390 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    442 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 26 matching records exist across the two collections.

Results for "L'Arivée du Courier (The Arrival of the"12 records

Institutions answered newest-first by record, interleaved

Mrs. Pierre Bacot (Marianne Fleur Du Gue) by Henrietta Johnston, The Metropolitan Museum of Art

Mrs. Pierre Bacot (Marianne Fleur Du Gue)

Henrietta Johnston (d. 1729)

ca. 1708–10 · Pastel and red and black chalk on toned laid paper.

Cleared · Public Domain

live
The MetSimilar
L'Arivée du Courier (The Arrival of the Messenger) by Jacques Firmin Beauvarlet, The Metropolitan Museum of Art

L'Arivée du Courier (The Arrival of the Messenger)

Jacques Firmin Beauvarlet (d. 1797)

18th century · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
L'Arrivée du Courier (The Arrival of the Messenger) by Jacques Firmin Beauvarlet, The Metropolitan Museum of Art

L'Arrivée du Courier (The Arrival of the Messenger)

Jacques Firmin Beauvarlet (d. 1797)

18th century · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
L'Départ du Courier (The Departure of the Messenger) by Jacques Firmin Beauvarlet, The Metropolitan Museum of Art

L'Départ du Courier (The Departure of the Messenger)

Jacques Firmin Beauvarlet (d. 1797)

18th century · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
Arrivée en Alsace du commissaire extraordinaire Coco Romieu, published in Le Charivari by Honoré Daumier, The Metropolitan Museum of Art

Arrivée en Alsace du commissaire extraordinaire Coco Romieu, published in Le Charivari

Honoré Daumier (d. 1879)

February 28, 1850 · Lithograph

Cleared · Public Domain

live
The MetSimilar
Colosses du Ramesséum by Maxime Du Camp, The Metropolitan Museum of Art

Colosses du Ramesséum

Maxime Du Camp (d. 1894)

May 9, 1850 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
[Entrance to the Port of Boulogne] by Edouard Baldus, The Metropolitan Museum of Art

[Entrance to the Port of Boulogne]

Edouard Baldus (d. 1889)

1855 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Arrivée du Roi à Windsor (Arrival of the King at Windsor)

Edouard Pingret (d. 1875)

1846 · Lithograph with tint stone

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Voyage de Sa Majésté Louis-Philippe 1er, Roi des Français au Château de Windsor (Visit of His Majesty Louis Philippe I, King of the French to Windsor Castle)

Edouard Pingret (d. 1875)

1846 · Illustrations: lithographs with tint stones: one on chine collé, one in color

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

New-York–Arrivée du Paquebot Transatlantique / New-York–Aenkommst van den Paquebots Transatlantique / New York–Arrival of the Transatlantic Packet Boat

Louis Lebreton (d. 1866)

ca. 1850 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Arrival of Napoleon at Notre Dame for his Coronation, 1804

Jean-Baptiste-Michel Dupréel (d. 1817)

1804, reprinted ca. 1860 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

New-York, Aankomst van den Paquebots Transatlantique; New-York, Arrivee du Paquebot Transatlantique [New York, Arrival of the Transatlantic Packet-boats]

Anonymous

19th century · Hand-colored lithograph

In copyright

live
The MetSimilar

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2. Read the arithmetic

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