Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
277 ms. The Metropolitan Museum of Art, Collection API (Open Access)
390 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 43 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Et vous garnement!, from Les Partageuses, Masques et Visages, published in Paris, November 9, 1852, plate 4
Paul Gavarni [Chevalier] (d. 1866)
November 9, 1852 · Lithograph; second state of two (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Et vous, garnement!, from Les Partageuses, Masques et Visages, plate 4, bound in Oeuvres Nouvelles, vol. I
Paul Gavarni [Chevalier] (d. 1866)
1851–52 · Lithograph; second state of two (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
J'entends une voiture......, from Les Partageuses, Masques et Visages, plate 12, bound in Oeuvres Nouvelles, vol. I
Paul Gavarni [Chevalier] (d. 1866)
1852 · Lithograph; second state of two (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ma chère, les hommes, c'est farce!, from Les Partageuses, Masques et Visages, plate 11, bound in Oeuvres Nouvelles, vol. I
Paul Gavarni [Chevalier] (d. 1866)
1852 · Lithograph; second state of two (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ne plus m'aimer!, from Les Partageuses, Masques et Visages, plate 2, bound in Oeuvres Nouvelles, vol. I
Paul Gavarni [Chevalier] (d. 1866)
1851–52 · Lithograph; second state of two (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"L'amour platonique....", from Les Partageuses, Masques et Visages, plate 38, bound in Oeuvres Nouvelles, vol. I
Paul Gavarni [Chevalier] (d. 1866)
1853 · Lithograph; second state of two (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dieu!, from Les Partageuses, Masques et Visages, plate 26, bound in Oeuvres Nouvelles, vol. I
Paul Gavarni [Chevalier] (d. 1866)
1853 · Lithograph; second state of two (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
L'Arthur, from Les Partageuses, Masques et Visages, plate 19, bound in Oeuvres Nouvelles, vol. I
Paul Gavarni [Chevalier] (d. 1866)
1853 · Lithograph; second state of two (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La mère, from Les Partageuses, Masques et Visages, plate 17, bound in Oeuvres Nouvelles, vol. I
Paul Gavarni [Chevalier] (d. 1866)
1853 · Lithograph; second state of two (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Frère, from Les Partageuses, Masques et Visages, plate 18, bound in Oeuvres Nouvelles, vol. I
Paul Gavarni [Chevalier] (d. 1866)
1853 · Lithograph; second state of two (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le père, from Les Partageuses, Masques et Visages, plate 16, bound in Oeuvres Nouvelles, vol. I
Paul Gavarni [Chevalier] (d. 1866)
1853 · Lithograph; second state of two (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ma blanchisseuse!, from Les Partageuses, Masques et Visages, plate 25, bound in Oeuvres Nouvelles, vol. I
Paul Gavarni [Chevalier] (d. 1866)
1853 · Lithograph; second state of two (Armelhault & Bocher)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.