
Portrait of Paul Rajon
Emile Boilvin (d. 1899)
1867 · Etching; second state of three
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
353 ms. The Metropolitan Museum of Art, Collection API (Open Access)
280 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 10 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Portrait of Paul Rajon
Emile Boilvin (d. 1899)
1867 · Etching; second state of three
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Horseman and the Beggar, also called Don Quixote and Sancho Panza (Le Cavalier et le Mendiant), from "L'Estampe Originale"
Louis Anquetin (d. 1932)
1893 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dancer and Her Mother (Danseuse et sa Mère), from "L'Estampe Originale"
Paul Renouard (d. 1924)
1894 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
L'Estampe et L'Affiche
Clément-Janin
1897 · Etchings, lithographs, drypoints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
L'Estampe et l'affiche (The Print and the Poster)
Pierre Bonnard (d. 1947)
1897 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
L'Estampe et L'Affiche
Clément-Janin
1898 · Etchings, lithographs, drypoints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Lithographie Originale en Couleurs
Pierre Bonnard (d. 1947)
1898
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
L'Estampe et L'Affiche
Clément-Janin
1899 · Etchings, lithographs, drypoints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Bièvre et Saint-Séverin
Joris-Karl Huysmans (d. 1907)
1924
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.