Odalisque reclining in a harem, from "Titres de Romance"
Félix Bracquemond (d. 1914)
1857 · Etching on chine collé; first state of two
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
209 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
353 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 89 matching records exist across the two collections.
Results for "L'Habitué de la boutique de Félix, from"12 records
Institutions answered newest-first by record, interleaved
La Terrasse de la Villa Brancas, from "L'Art"
Félix Bracquemond (d. 1914)
1876 · Etching, drypoint; eighth state of eight
Cleared · Public Domain
liveThe MetSimilar
La Discorde
Félix Bracquemond (d. 1914)
1886 · Etching; fifth state of five
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
L'Habitué de la boutique de Félix, from Silhouettes, published in "La Caricature"
Honoré Daumier (d. 1879)
February 28, 1841 · Lithograph; second state of two (Delteil)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Temple de Karnak. Avenue centrale de la salle hypostyle, prise de l'est
Félix Bonfils (d. 1885)
after 1867 · Albumen silver print from glass negative
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Temple de Kournak. Vue de la Colonnade
Félix Bonfils (d. 1885)
after 1867 · Albumen silver print from glass negative
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Temple de Louksor. Continuation de la colonnade du Temple
Félix Bonfils (d. 1885)
after 1867 · Albumen silver print from glass negative
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Temple de Louksor. Détail de la colonnade du Temple
Félix Bonfils (d. 1885)
after 1867 · Albumen silver print from glass negative
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Temple de Louksor. Détail de la colonnade du Temple
Félix Bonfils (d. 1885)
after 1867 · Albumen silver print from glass negative
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Temple de Louksor. Façade de la colonnade du Temple
Félix Bonfils (d. 1885)
after 1867 · Albumen silver print from glass negative
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vue générale de la plaine de Médinet-Abou, prise des Statues de Memnon
Félix Bonfils (d. 1885)
after 1867 · Albumen silver print from glass negative
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vue générale du Nil et de la plaine de Thèbes
Félix Bonfils (d. 1885)
after 1867 · Albumen silver print from glass negative
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.