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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    100 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    534 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 7 matching records exist across the two collections.

Results for "L'Homme Vu de Dos, La Main Droite Tendue"6 records

Institutions answered newest-first by record, interleaved

L'Homme Vu de Dos, La Main Droite Tendue (Man Viewed from Behind, Right Hand Extended), from "Les Caprices" Series B, The Nancy Set by Jacques Callot, The Metropolitan Museum of Art

L'Homme Vu de Dos, La Main Droite Tendue (Man Viewed from Behind, Right Hand Extended), from "Les Caprices" Series B, The Nancy Set

Jacques Callot (d. 1635)

1617–20 · Etching; first state of two (Lieure)

Cleared · Public Domain

live
The MetSimilar
L'Homme Vu de Dos, La Main Droite Tendue (Man Viewed from Behind, Right Hand Extended), from Les Caprices Series B, The Nancy Set by Jacques Callot, The Metropolitan Museum of Art

L'Homme Vu de Dos, La Main Droite Tendue (Man Viewed from Behind, Right Hand Extended), from Les Caprices Series B, The Nancy Set

Jacques Callot (d. 1635)

1617–20 · Etching; first state of two (Lieure)

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of L'Homme vu de Dos, La Main Droit Tendue (Man Viewed from Behind, His Right Hand Extended), from "Les Caprices" Series A, The Florence Set by Anonymous, The Metropolitan Museum of Art

Reverse Copy of L'Homme vu de Dos, La Main Droit Tendue (Man Viewed from Behind, His Right Hand Extended), from "Les Caprices" Series A, The Florence Set

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Une Dame, Le Poing Droit sur la Hanche et la Main Gauche Tendue, Vue de Dos Entre Deux Homes (A Lady, Her Left Fist on Her Hip and her Left Hand Extended, Viewed from Behind Between Two Men), from "Les Fantasies" (The Fantasies)

Jacques Callot (d. 1635)

1635 · Etching; first state of two (Lieure)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Une Dame, Le Poing Droit sur la Hanche et la Main Gauche Tendue, Vue de Dos Entre Deux Homes (A Lady, Her Left Fist on Her Hip and her Left Hand Extended, Viewed from Behind Between Two Men), from Les Fantaisies (The Fantasies)

Jacques Callot (d. 1635)

1635 · Etching; first state of two (Lieure)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Copy of Une Dame, Le Poing Droit sur la Hanche et la Main Gauche Tendue, Vue de Dos Entre Deux Homes (A Lady, Her Left Fist on Her Hip and her Left Hand Extended, Viewed from Behind Between Two Men), from "Les Fantaisies" (The Fantasies)

Jacques Callot (d. 1635)

after 1635 · Etching

In copyright

live
The MetSimilar

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