Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    518 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    334 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 38 matching records exist across the two collections.

Results for "L'oiseau de passage, from Les Partageuse"12 records

Institutions answered newest-first by record, interleaved

Shepherd with His Flock in a Clearing by Jean-Baptiste Le Prince, The Metropolitan Museum of Art

Shepherd with His Flock in a Clearing

Jean-Baptiste Le Prince (d. 1781)

1776 · Brush and brown wash, over black chalk; framing lines in pen and brown ink

Cleared · Public Domain

live
The MetSimilar
The Ramparts of Carcassonne by Gustave Le Gray, The Metropolitan Museum of Art

The Ramparts of Carcassonne

Gustave Le Gray (d. 1884)

1851 · Salted paper print from waxed paper negative

Cleared · Public Domain

live
The MetSimilar
Opening night, from 'The difficult moments of life,' published in Le Charivari, May 26, 1864 by Honoré Daumier, The Metropolitan Museum of Art

Opening night, from 'The difficult moments of life,' published in Le Charivari, May 26, 1864

Honoré Daumier (d. 1879)

May 26, 1864 · Lithograph on newsprint; second state of two (Delteil)

Cleared · Public Domain

live
The MetSimilar
The Beggars by James McNeill Whistler, The Metropolitan Museum of Art

The Beggars

James McNeill Whistler (d. 1903)

1879–80 · Etching and drypoint, printed in black ink on heavy ivory wove paper; seventh state of seventeen (Glasgow)

Cleared · Public Domain

live
The MetSimilar
A Trial Plate for Mallarmé's "Un coup de dés" (A Throw of the Dice) by Odilon Redon, The Metropolitan Museum of Art

A Trial Plate for Mallarmé's "Un coup de dés" (A Throw of the Dice)

Odilon Redon (d. 1916)

1897–1898 · Lithograph

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Philistines filling the wells (Les philistins comblant les puits qu'avait fait creuser Abraham)

Etienne Delaune (d. 1583)

1569 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Album with Plates from "Translation des Cendres de l'Empereur Napoléon de Saint-Hélène a Paris"

Victor Adam (d. 1866)

1840 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Monsieur le Maire...de passage dans votre ville..., from Les Philantropes du Jour, published in "Le Charivari"

Honoré Daumier (d. 1879)

November 16, 1844 · Lithograph; second state of two (Delteil)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

L'oiseau de passage, from Les Partageuses, Masques et Visages, plate 20, bound in Oeuvres Nouvelles, vol. I

Paul Gavarni [Chevalier] (d. 1866)

1853 · Lithograph; second state of two (Armelhault & Bocher)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Une partageuse à Édimbourg, from Les Anglais Chez Eux, Masques et Visages, plate 7, bound in Oeuvres Nouvelles, vol. III

Paul Gavarni [Chevalier] (d. 1866)

1853 · Lithograph; second state of two (Armelhault & Bocher)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Une partageuse à Londres, from Les Anglais Chez Eux, Masques et Visages, plate 14, bound in Oeuvres Nouvelles, vol. III

Paul Gavarni [Chevalier] (d. 1866)

1853 · Lithograph; second state of two (Armelhault & Bocher)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Crack Between the Floorboards

Mark Bradford (d. 9999)

2014 · Printed and painted paper, masking tape, and acrylic media on canvas

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.