
Shepherd with His Flock in a Clearing
Jean-Baptiste Le Prince (d. 1781)
1776 · Brush and brown wash, over black chalk; framing lines in pen and brown ink
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
518 ms. The Metropolitan Museum of Art, Collection API (Open Access)
334 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 38 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Shepherd with His Flock in a Clearing
Jean-Baptiste Le Prince (d. 1781)
1776 · Brush and brown wash, over black chalk; framing lines in pen and brown ink
Cleared · Public Domain
live
The Ramparts of Carcassonne
Gustave Le Gray (d. 1884)
1851 · Salted paper print from waxed paper negative
Cleared · Public Domain
live
Opening night, from 'The difficult moments of life,' published in Le Charivari, May 26, 1864
Honoré Daumier (d. 1879)
May 26, 1864 · Lithograph on newsprint; second state of two (Delteil)
Cleared · Public Domain
live
The Beggars
James McNeill Whistler (d. 1903)
1879–80 · Etching and drypoint, printed in black ink on heavy ivory wove paper; seventh state of seventeen (Glasgow)
Cleared · Public Domain
live
A Trial Plate for Mallarmé's "Un coup de dés" (A Throw of the Dice)
Odilon Redon (d. 1916)
1897–1898 · Lithograph
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Philistines filling the wells (Les philistins comblant les puits qu'avait fait creuser Abraham)
Etienne Delaune (d. 1583)
1569 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album with Plates from "Translation des Cendres de l'Empereur Napoléon de Saint-Hélène a Paris"
Victor Adam (d. 1866)
1840 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Monsieur le Maire...de passage dans votre ville..., from Les Philantropes du Jour, published in "Le Charivari"
Honoré Daumier (d. 1879)
November 16, 1844 · Lithograph; second state of two (Delteil)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
L'oiseau de passage, from Les Partageuses, Masques et Visages, plate 20, bound in Oeuvres Nouvelles, vol. I
Paul Gavarni [Chevalier] (d. 1866)
1853 · Lithograph; second state of two (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Une partageuse à Édimbourg, from Les Anglais Chez Eux, Masques et Visages, plate 7, bound in Oeuvres Nouvelles, vol. III
Paul Gavarni [Chevalier] (d. 1866)
1853 · Lithograph; second state of two (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Une partageuse à Londres, from Les Anglais Chez Eux, Masques et Visages, plate 14, bound in Oeuvres Nouvelles, vol. III
Paul Gavarni [Chevalier] (d. 1866)
1853 · Lithograph; second state of two (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Crack Between the Floorboards
Mark Bradford (d. 9999)
2014 · Printed and painted paper, masking tape, and acrylic media on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.