
The Loss of Eden - and Eden, Lost.
Thomas Rowlandson (d. 1827)
December 21, 1785 · Hand-colored etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
101 ms. The Metropolitan Museum of Art, Collection API (Open Access)
486 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 9,239 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Loss of Eden - and Eden, Lost.
Thomas Rowlandson (d. 1827)
December 21, 1785 · Hand-colored etching
Cleared · Public Domain
live
Figure (kiteki)
Unrecorded maker
late 1800s–mid-1900s · Sculpture, Wood, lizard skin, leopard tooth, pods, cloth, and natural fiber
Cleared · CC0
live
Phyllis inconsolable for the loss of Demophoon, attempts to hang herself
Edward Francis Burney (d. 1848)
1790–1800 · Pen and brown ink, brush and gray wash
Cleared · Public Domain
live
Mary Walker Waugh
William Holman Hunt (d. 1910)
1868 · Painting, oil on fabric
Cleared · CC0
live
Terrible Disaster! Loss of the Arctic! (from Sketchbook)
James McNeill Whistler (d. 1903)
1854–55 · Brown ink on brown wove paper
Cleared · Public Domain
live
Single Miniature Excised from Boccaccio's Des Cleres et nobles femmes: Queen Medusa and Her Court
Maître François
c. 1470 · Manuscript, tempera and gold on vellum
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Loss of the Halsewell, East Indiaman
James Gillray (d. 1815)
June 4, 1787 · Hand-colored etching, engraving and stipple
In copyright
live
Paintings after Ancient Masters
Chen Hongshou (d. 1652)
1598–1652 · Painting, Double album with twenty-two leaves; ink or ink and color on silk
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dr. Syntax Lamenting the Loss of His Wife
Thomas Rowlandson (d. 1827)
1820 · Etching; early state
In copyright
live
The king dreams of a lady, the personification of wealth, departing from him on account of his purchasing a bowl and a staff from a yogi, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night
Unrecorded maker
c. 1560 · Painting, gum tempera, ink, and gold on paper
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dr. Syntax Lamenting the Loss of His Wife
Thomas Rowlandson (d. 1827)
January 1, 1820 · Hand-colored etching and aquatint
In copyright
live
Black-Figure Olpe (Wine Jug): Rooster
Unrecorded maker
c. 575 BCE · Ceramic, ceramic
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.