
La Bataille (The Battle), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 3
Jacques Callot (d. 1635)
1633 · Etching; second state of three (Lieure)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
250 ms. The Metropolitan Museum of Art, Collection API (Open Access)
361 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 415 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

La Bataille (The Battle), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 3
Jacques Callot (d. 1635)
1633 · Etching; second state of three (Lieure)
Cleared · Public Domain
live
La Bataille (The Battle), plate 3 from "Les Misères et les Mal-Heures de la Guerre" (The Miseries and Misfortunes of War)
Jacques Callot (d. 1635)
1633 · Etching; first or second state of three (Lieure)
Cleared · Public Domain
live
Plate 3, from "Small Flower Motifs"
Paul Androuet Ducerceau (d. 1710)
ca. 1670–85 · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Battle at Pergamon, from The Fall of Troy, plate 3
Pieter Jalhea Furnius (d. 1610)
ca. 1571 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Bataille (The Battle), plate 3 from "Les Misères et les Mal-Heures de la Guerre" (The Miseries and Misfortunes of War)
Jacques Callot (d. 1635)
1633 · Etching; second state of three (Lieure)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Bataille (The Battle), plate 3 from "Les Misères et les Mal-Heures de la Guerre" (The Miseries and Misfortunes of War)
Jacques Callot (d. 1635)
1633 · Etching; second state of three (Lieure)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Bataille (The Battle), plate 3 from "Les Misères et les Mal-Heures de la Guerre" (The Miseries and Misfortunes of War)
Jacques Callot (d. 1635)
1633 · Etching; second state of three (Lieure)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Copy of La Bataille (The Battle), plate 3 from "Les Misères et les Mal-Heures de la Guerre" (The Miseries and Misfortunes of War)
Anonymous
after 1633 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
After a Battle, volume 4, plate 280 from "Monuments des Arts du Dessin"
Louise Bouteiller (d. 1828)
1829 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Grande Bataille (The Large Battle)
Rodolphe Bresdin (d. 1885)
19th century · Drypoint on a gelatin plate
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Grande Bataille (The Large Battle)
Rodolphe Bresdin (d. 1885)
19th century · Drypoint on a gelatin plate
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Mur Mitoyen (The Party Wall), plate 3 from "Amours"
Paul Gavarni [Chevalier] (d. 1866)
19th century · Lithograph; second state of three (Armelhault & Bocher)
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.