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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    152 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    361 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 267 matching records exist across the two collections.

Results for "La Bohémienne, from "Gazette des Beaux-A"12 records

Institutions answered newest-first by record, interleaved

'The custody is as barbarous as the crime' (Tan bárbara la seguridad como el delito) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

'The custody is as barbarous as the crime' (Tan bárbara la seguridad como el delito)

Goya (Francisco de Goya y Lucientes) (d. 1828)

ca. 1815 (published after 1867) · Etching, burin

Cleared · Public Domain

live
The MetSimilar
Bataille des Cimbres, from "Gazette des Beaux-Arts" by Saro Cucinotta, The Metropolitan Museum of Art

Bataille des Cimbres, from "Gazette des Beaux-Arts"

Saro Cucinotta (d. 1871)

1850–71 · Etching

Cleared · Public Domain

live
The MetSimilar
Portrait of Jules Jacquemart, from "Gazette des Beaux-Arts" by Marcellin Desboutin, The Metropolitan Museum of Art

Portrait of Jules Jacquemart, from "Gazette des Beaux-Arts"

Marcellin Desboutin (d. 1902)

1876 · Drypoint; second state of two

Cleared · Public Domain

live
The MetSimilar
The Supplier, from "Gazette des Beaux-Arts" by Henri Charles Guérard, The Metropolitan Museum of Art

The Supplier, from "Gazette des Beaux-Arts"

Henri Charles Guérard (d. 1897)

1888 · Etching and drypoint; fifth state of five

Cleared · Public Domain

live
The MetSimilar
The Muse Erato, from "Gazette des Beaux-Arts" by Albert Ardail, The Metropolitan Museum of Art

The Muse Erato, from "Gazette des Beaux-Arts"

Albert Ardail (d. 1914)

1890 · Etching

Cleared · Public Domain

live
The MetSimilar
Vision of a Knight (Le Songe du Chevalier), from "Gazette des Beaux-Arts" by Jean-Baptiste Danguin, The Metropolitan Museum of Art

Vision of a Knight (Le Songe du Chevalier), from "Gazette des Beaux-Arts"

Jean-Baptiste Danguin (d. 1894)

1845–94 · Engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La Bohémienne, from "Gazette des Beaux-Arts"

Léopold Flameng (d. 1911)

1870 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of Francisco Goya, seated, holding a palette and brush, from "Gazette des Beaux-Arts"

Adolphe Lalauze (d. 1906)

December 1875 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Extase poétique, from "Gazette des Beaux-Arts"

Alphonse Legros (d. 1911)

1876 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Jacob Fighting with the Angel, from "Gazette des Beaux-Arts"

Léon Bonnat (d. 1922)

1876 · Etching; second state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La Rivière, from "Gazette des Beaux-Arts"

Léopold Flameng (d. 1911)

1874 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Blonde Woman at her Toilette

Paul-Albert Besnard (d. 1934)

1909 · Etching; single state

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.