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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    246 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    375 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 12 matching records exist across the two collections.

Results for "La Chartreuse de Parme, Vols. I & II"12 records

Institutions answered newest-first by record, interleaved

Study of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67 by Giuseppe Arcimboldo, The Metropolitan Museum of Art

Study of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67

Giuseppe Arcimboldo (d. 1593)

1564–65 · Pen and brown ink, brush with pale brown and purple wash, over soft black chalk (recto); pen and brown ink, some sketches over black chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Triton by Giambologna, The Metropolitan Museum of Art

Triton

Giambologna (d. 1608)

1590s · Bronze

Cleared · Public Domain

live
The MetSimilar
Francesco I de' Medici, grand duke of Tuscany by Giambologna, The Metropolitan Museum of Art

Francesco I de' Medici, grand duke of Tuscany

Giambologna (d. 1608)

modeled 1585–87, cast ca. 1611 · Bronze

Cleared · Public Domain

live
The MetSimilar
Automaton clock in the form of an eagle by an unrecorded maker, The Metropolitan Museum of Art

Automaton clock in the form of an eagle

Unrecorded maker

ca. 1630 · Case: gilded brass on base of ebony and ebony veneered on fruitwood; Movement: brass and iron

Cleared · Public Domain

live
The MetSimilar
Pair-case watch with alarm by Adam Roumeau, The Metropolitan Museum of Art

Pair-case watch with alarm

Adam Roumeau (d. 1698)

probably ca. 1695 · Case and dial: silver with blued-steel hand; movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
Wall clock (pendule en cartel) by Jean Godde l'aîné, The Metropolitan Museum of Art

Wall clock (pendule en cartel)

Jean Godde l'aîné (d. 1749)

ca. 1740–45 · Case: gilded bronze, oak, and tortoiseshell on brass marquetry on oak; Dial: white enamel and gilded brass with blued-steel hands; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
Longcase clock by Hermann Achenbach, The Metropolitan Museum of Art

Longcase clock

Hermann Achenbach (d. 1825)

ca. 1774–75 · Case: oak veneered with maple, burl woods, holly, and hornbeam (all partly stained), and other woods; mother-of-pearl; gilded bronze; and brass; Dial: partly gilded and partly silvered brass and enameled and painted copper; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
Stand by Sèvres Manufactory, The Metropolitan Museum of Art

Stand

Sèvres Manufactory (d. 9999)

ca. 1777–85 · Hard-paste porcelain decorated in polychrome enamels, gold

Cleared · Public Domain

live
The MetSimilar
Tureen with cover (Terrine épis de blé or épis en or et plateau) by Sèvres Manufactory, The Metropolitan Museum of Art

Tureen with cover (Terrine épis de blé or épis en or et plateau)

Sèvres Manufactory (d. 9999)

ca. 1777–85 · Hard-paste porcelain decorated in polychrome enamels, gold

Cleared · Public Domain

live
The MetSimilar
Table clock with calendar by Lucien Falize, The Metropolitan Museum of Art

Table clock with calendar

Lucien Falize (d. 1897)

1881 · Case: silver, partly enameled gold, hardstones, rock crystal, amethysts, and diamonds; movement: brass and steel

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fables de la Fontaine. Vols. I-II

J. J. Grandville (d. 1847)

1838

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La Chartreuse de Parme, Vols. I & II

Henri Beyle Stendahl (d. 1842)

1883 · Etching

In copyright

live
The MetSimilar

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