Costume of an Indian Woman from the Ballet "Triumph of Love" (Habit d'Indienne du balet du Triomphe de l'amour)
Juan Dolivar (d. 1692)
1681–92 · Etching and engraving
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
324 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
357 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 104 matching records exist across the two collections.
Results for "La Crainte des Traits de l'Amour"12 records
Institutions answered newest-first by record, interleaved
Le Crainte, Le Mépris, La Frayeur, from "Caractères des passions, gravés sur les desseins de l'illustre Monsieur le Brun"
Sébastien Le Clerc, le Jeune (d. 1763)
1695–1720 · Etching
Cleared · Public Domain
liveThe MetSimilar
La Crainte des Traits de l'Amour
Jean-Louis Lemoyne (d. 1755)
1739–40 · Marble
Cleared · Public Domain
liveThe MetSimilar
L'Amour dans le globe; ou, L'Almanach volant, composé de petites pièces fugitives, légères ou galantes, en prose & en vers: avac un précis historique de l'origine du globe aérostatique, des expériences du Champ-de-Mars, de Versailles, de la Muette & des Tuileries, ainsi que vers & chansons y relatifs. Le tout enrichi de figures
Chez Jubert
1784
Cleared · Public Domain
liveThe MetSimilar
L'Amour dans le globe; ou, L'Almanach volant, composé de petites pièces fugitives, légères ou galantes, en prose & en vers: avac un précis historique de l'origine du globe aérostatique, des expériences du Champ-de-Mars, de Versailles, de la Muette & des Tuileries, ainsi que vers & chansons y relatifs. Le tout enrichi de figures
Chez Desnos
1784
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume of an Indian from the Ballet "Triumph of Love" (Habit d'Indiens du balet du Triomphe de l'Amour)
Jean Berain (d. 1711)
ca. 1681 · Etching and engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Sicilien ou L'Amour Peintre (Volume IV, page 161), from Oeuvres de Molière, avec des remarques grammaticales, des Avertissimens et des Observations sur chaque Pièce par M. Bret. A Paris, Par la Compagnie des libraires associés. M.D.CC.LXXIII.
Jean Michel Moreau le Jeune (d. 1814)
1773 · Etching and engraving; fourth state of four (Bocher)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
L'Amour Médecin (Volume III, page 335), from Oeuvres de Molière, avec des remarques grammaticales, des Avertissimens et des Observations sur chaque Pièce par M. Bret. A Paris, Par la Compagnie des libraires associés. M.D.CC.LXXIII.
Jean Charles Baquoy (d. 1777)
published in 1788 · Etching and engraving; third state of three (Bocher)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Love
Paul-Albert Besnard (d. 1934)
1885–87 · Etching; second state of three; rare
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Facsimile Reproduction of Venus, Se Préparant Pour le Jugement de Paris, Reçoit d'Avance la Pomme des Mains de L'Amour (Venus, Preparing for the Judgement of Paris, Receives an Apple in Advance from Cupid)
Reichsdruckerei (d. 1951)
19th century · Facsimile of etching and engraving in red ink
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La carte surrealiste : première série
Georges Hugnet (d. 1974)
1937
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A L'Heure de L'Amour et des Roses
Lotte Günthart (d. 2007)
1968
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.