
La Dame Coiffée d'un Grand Voile et a la Robe Bordée de Fourrures (The Lady with a Large Veil and with a Fur-Lined Robe), from "La Noblesse" (The Nobility)
Jacques Callot (d. 1635)
ca. 1623 · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
247 ms. The Metropolitan Museum of Art, Collection API (Open Access)
368 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 17 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

La Dame Coiffée d'un Grand Voile et a la Robe Bordée de Fourrures (The Lady with a Large Veil and with a Fur-Lined Robe), from "La Noblesse" (The Nobility)
Jacques Callot (d. 1635)
ca. 1623 · Etching
Cleared · Public Domain
live
Copy of La Dame Coiffée d'un Grand Voile et a la Robe Bordée de Fourrures (The Lady Wearing a Long Veil and a Fur-Lined Robe), from "La Noblesse" (The Nobility)
Anonymous
17th century · Etching
Cleared · Public Domain
live
Copy of La Dame Coiffée d'un Grand Voile et a la Robe Bordée de Fourrures (The Lady Wearing a Long Veil and a Fur-Lined Robe), from "La Noblesse" (The Nobility)
Anonymous
17th century · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Dame Coiffée d'un Grand Voile et a la Robe Bordée de Fourrures (The Lady with a Large Veil and with a Fur-Lined Robe), from "La Noblesse" (The Nobility)
Jacques Callot (d. 1635)
ca. 1623 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Dame Coiffée d'un Grand Voile et a la Robe Bordée de Fourrures (The Lady with a Large Veil and with a Fur-Lined Robe), from "La Noblesse" (The Nobility)
Jacques Callot (d. 1635)
ca. 1623 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Catafalque of Louis XV, from Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand, Très-Haut, Très-Puissant, et Très-Excellent Prince, Louis XV, le Bien-Aimé, Roi de France et de Navarre; Dans l'Église de Notre-Dame de Paris, le 7 Septembre 1774.
Louis Simon Lempereur (d. 1807)
1774 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand, Très-Haut, Très-Puissant, et Très-Excellent Prince, Louis XV, le Bien-Aimé, Roi de France et de Navarre; Dans l'Église de Notre-Dame de Paris, le 7 Septembre 1774.
Louis Simon Lempereur (d. 1807)
1774 · Etching and engraving, printed book
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Geometrical Elevation of a Side of the Catafalque, from Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand, Très-Haut, Très-Puissant, et Très-Excellent Prince, Louis XV, le Bien-Aimé, Roi de France et de Navarre; Dans l'Église de Notre-Dame de Paris, le 7 Septembre 1774.
Louis Simon Lempereur (d. 1807)
1774 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lateral Cut-Away of the Catafalque of Louis XV, from Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand, Très-Haut, Très-Puissant, et Très-Excellent Prince, Louis XV, le Bien-Aimé, Roi de France et de Navarre; Dans l'Église de Notre-Dame de Paris, le 7 Septembre 1774
Louis Simon Lempereur (d. 1807)
1774 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plan of the Ceiling and Base of the Catafalque, from Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand, Très-Haut, Très-Puissant, et Très-Excellent Prince, Louis XV, le Bien-Aimé, Roi de France et de Navarre; Dans l'Église de Notre-Dame de Paris, le 7 Septembre 1774.
Louis Simon Lempereur (d. 1807)
1774 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pyramidal Portal to the Catafalque of Louis XV, from Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand, Très-Haut, Très-Puissant, et Très-Excellent Prince, Louis XV, le Bien-Aimé, Roi de France et de Navarre; Dans l'Église de Notre-Dame de Paris, le 7 Septembre 1774.
Louis Simon Lempereur (d. 1807)
1774 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fashion plate from 19e Cahier de Costumes Francais, 13e Suite d'Habillements à la mode depuis 1776
Claude Louis Desrais (d. 1816)
between 1776 and 1786
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.