
Entrée de Monseigneur Henry de Lorraine (Entrance of Henry de Lorraine), from Le Combat a la Barrière in the Palace at Nancy by Henri Humbert, printed by Sebastien Phillipe
Jacques Callot (d. 1635)
1627 · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1150 ms. The Metropolitan Museum of Art, Collection API (Open Access)
313 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 31 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Entrée de Monseigneur Henry de Lorraine (Entrance of Henry de Lorraine), from Le Combat a la Barrière in the Palace at Nancy by Henri Humbert, printed by Sebastien Phillipe
Jacques Callot (d. 1635)
1627 · Etching
Cleared · Public Domain
live
The Siege of the La Motte, in Lorraine
Abraham Bosse (d. 1676)
1636–38 · Etching
Cleared · Public Domain
live
The Penitent Magdalen
Georges de La Tour (d. 1652)
ca. 1640 · Oil on canvas
Cleared · Public Domain
live
Copy of Couronnement de Christine de Lorraine, la Grande Duchesse (Coronation of the Grand Duchess, Christine de Lorraine), from "La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis" (The Life of Ferdinand I de'Medici also called The Medici Battles)
Jacques Callot (d. 1635)
after 1614 · Engraving
Cleared · Public Domain
live
Costume Design for a Demon (Señor Remon), for a performance held during the celebration of the wedding of Marie-Louise de Bourbon with Archduke Léopold de Habsbourg-Lorraine, hosted by the Marquis of Ossuna in Madrid in 1764
Charles de La Traverse (d. 1787)
ca. 1764 · Pen and brown ink, brush and brown wash, over graphite underdrawing. Framing lines in pen and brown ink.
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
De la geneologie des dieux
Giovanni Boccaccio (d. 1375)
February 9, 1498 · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Généalogie de Lorraine (The Genealogy of the House of Lorraine), In Five Sections
Jacques Callot (d. 1635)
ca. 1630 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Généalogie de Lorraine (The Genealogy of the House of Lorraine), Section Five of Five
Jacques Callot (d. 1635)
ca. 1630 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Généalogie de Lorraine (The Genealogy of the House of Lorraine), Section Four of Five
Jacques Callot (d. 1635)
ca. 1630 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Généalogie de Lorraine (The Genealogy of the House of Lorraine), Section One of Five
Jacques Callot (d. 1635)
ca. 1630 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Généalogie de Lorraine (The Genealogy of the House of Lorraine), Section Three of Five
Jacques Callot (d. 1635)
ca. 1630 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Généalogie de Lorraine (The Genealogy of the House of Lorraine), Section Two of Five
Jacques Callot (d. 1635)
ca. 1630 · Etching
In copyright
live1. Pin the work
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2. Read the arithmetic
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3. Seal and export
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