
La Cêne (The Last Supper), from "La Grande Passion" (The Large Passion)
Jacques Callot (d. 1635)
ca. 1619–24 · Etching and engraving; second state of three (Lieure)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
417 ms. The Metropolitan Museum of Art, Collection API (Open Access)
338 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 344 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

La Cêne (The Last Supper), from "La Grande Passion" (The Large Passion)
Jacques Callot (d. 1635)
ca. 1619–24 · Etching and engraving; second state of three (Lieure)
Cleared · Public Domain
live
La Cêne (The Last Supper), from "La Grande Passion" (The Large Passion)
Jacques Callot (d. 1635)
ca. 1619–24 · Etching and engraving; first state of three (Lieure)
Cleared · Public Domain
live
La Cêne (The Last Supper), from "La Grande Passion" (The Large Passion)
Jacques Callot (d. 1635)
ca. 1619–24 · Etching and engraving; first state of three (Lieure)
Cleared · Public Domain
live
After the Battle
Rodolphe Bresdin (d. 1885)
1885 · Pen and black ink
Cleared · Public Domain
live
Arques-la-Bataille
John Henry Twachtman (d. 1902)
1885 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Grande Passion (The Large Passion)
Jacques Callot (d. 1635)
ca. 1619–24 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Crucifiement (The Crucifixion), from "La Grande Passion" (The Large Passion)
Jacques Callot (d. 1635)
ca. 1619–24 · Etching and engraving; second state of two (Lieure)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Grande Thèse (The Large Thesis)
Jacques Callot (d. 1635)
1625 · Etching and engraving; second state of three (Lieure)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Cêne (The Last Supper), from "La Grande Passion" (The Large Passion)
Jacques Callot (d. 1635)
ca. 1619–24 · Etching and engraving; first state of three (Lieure)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Large Forest (La grande Forêt)
Jean Jacques de Boissieu (d. 1810)
1798 · Etching with drypoint and roulette; fifth state of five
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Grande Bataille (The Large Battle)
Rodolphe Bresdin (d. 1885)
19th century · Drypoint on a gelatin plate
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Grande Bataille (The Large Battle)
Rodolphe Bresdin (d. 1885)
19th century · Drypoint on a gelatin plate
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.