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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    393 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    514 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 232 matching records exist across the two collections.

Results for "La Maraude (Pilfering), plate 4 from "Le"12 records

Institutions answered newest-first by record, interleaved

La Maraude (Pilfering), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 4 by Jacques Callot, The Metropolitan Museum of Art

La Maraude (Pilfering), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 4

Jacques Callot (d. 1635)

1633 · Etching; second state of three (Lieure)

Cleared · Public Domain

live
The MetSimilar
La Maraude (Pilfering), plate 4 from "Les Misères et les Mal-Heures de la Guerre" (The Miseries and Misfortunes of War) by Jacques Callot, The Metropolitan Museum of Art

La Maraude (Pilfering), plate 4 from "Les Misères et les Mal-Heures de la Guerre" (The Miseries and Misfortunes of War)

Jacques Callot (d. 1635)

1633 · Etching; second state of three (Lieure)

Cleared · Public Domain

live
The MetSimilar
La Maraude (Pilfering), plate 4 from "Les Misères et les Mal-Heures de la Guerre" (The Miseries and Misfortunes of War) by Jacques Callot, The Metropolitan Museum of Art

La Maraude (Pilfering), plate 4 from "Les Misères et les Mal-Heures de la Guerre" (The Miseries and Misfortunes of War)

Jacques Callot (d. 1635)

1633 · Etching; first or second state of three (Lieure)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La Maraude (Pilfering), plate 4 from "Les Misères et les Mal-Heures de la Guerre" (The Miseries and Misfortunes of War)

Jacques Callot (d. 1635)

1633 · Etching; second state of three (Lieure)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La Maraude (Pilfering), plate 4 from "Les Misères et les Mal-Heures de la Guerre" (The Miseries and Misfortunes of War)

Jacques Callot (d. 1635)

1633 · Etching; second state of three (Lieure)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Paneling with a statues in niches between pilasters, from Lambris à la française, plate 4

Jean Le Pautre (d. 1682)

published ca. 1656–57 · Etching; first state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Paneling with a statues in niches between pilasters, plate 4 from 'Lambris à la française', bound in "Oeuvres", Vol. I

Jean Le Pautre (d. 1682)

ca. 1656–57 · Etching; second state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fireplace topped with a figure of Fame, plate 4 from 'Cheminées à la moderne', bound in "Oeuvres", Vol. I

Jean Le Pautre (d. 1682)

1661 · Etching; third state of three (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A pavillion on a stone bridge, plate 4 from 'Portes cochères à la moderne', bound in "Oeuvres", Vol. I

Jean Le Pautre (d. 1682)

17th century · Etching; second state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Jacob dies, surrounded by his family, plate 4 from 'Grandes alcôves à la romaine, ou à la royale', bound in "Oeuvres", Vol. I

Jean Le Pautre (d. 1682)

17th century · Etching; second state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Jacob dies, surrounded by his family, plate 4 from "Grandes alcôves à la romaine, ou à la royale"

Jean Le Pautre (d. 1682)

17th century · Etching; first state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Copy of La Maraude (Pilfering), plate 4 from "Les Misères et les Mal-Heures de la Guerre" (The Miseries and Misfortunes of War)

Anonymous

after 1633 · Etching

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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