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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    830 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    333 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 447 matching records exist across the two collections.

Results for "La Marchande de Poisson, from Les Parisi"12 records

Institutions answered newest-first by record, interleaved

The Ratcatcher, plate 7 from "Cries of Paris" (Les Cris de Paris) by Abraham Bosse, The Metropolitan Museum of Art

The Ratcatcher, plate 7 from "Cries of Paris" (Les Cris de Paris)

Abraham Bosse (d. 1676)

1632–33 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar
Brandy or Cure Seller, plate 3 from "Cries of Paris" (Les Cris de Paris) by Abraham Bosse, The Metropolitan Museum of Art

Brandy or Cure Seller, plate 3 from "Cries of Paris" (Les Cris de Paris)

Abraham Bosse (d. 1676)

mid to late 17th century · Etching

Cleared · Public Domain

live
The MetSimilar
The Vinegar Merchant, plate 8 from "Cries of Paris" (Les Cris de Paris) by Abraham Bosse, The Metropolitan Museum of Art

The Vinegar Merchant, plate 8 from "Cries of Paris" (Les Cris de Paris)

Abraham Bosse (d. 1676)

mid to late 17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Hercules and Omphale by Vincennes Manufactory, The Metropolitan Museum of Art

Hercules and Omphale

Vincennes Manufactory (d. 1756)

ca. 1749–50 · Soft-paste porcelain

Cleared · Public Domain

live
The MetSimilar
Mantel clock (pendule de chiminée) by Paul Gudin Le Jeune, The Metropolitan Museum of Art

Mantel clock (pendule de chiminée)

Paul Gudin Le Jeune (d. 1755)

clock ca. 1750, figures decorated ca. 1737/38 · Case: hard-paste and soft-paste porcelain, with gilded-bronze mounts; Dial: white enamel with blue numerals for hours and blue numerals for minutes; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
Itelmen Preparing Fish to be Dried by Jean-Baptiste Le Prince, The Metropolitan Museum of Art

Itelmen Preparing Fish to be Dried

Jean-Baptiste Le Prince (d. 1781)

1769 · Pen and black ink, brush and gray wash, over black chalk

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fait-elle ses embarras c'te chipie du cintième [...], from Les Pratiques des Marchands de Paris (Types Parisiens), published in "La Caricature"

Honoré Daumier (d. 1879)

March 22, 1840 · Lithograph; second state of two (Delteil)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ou peut on être mieux..., from "Les Musiciens de Paris", published in La Caricature

Honoré Daumier (d. 1879)

November 14, 1841 · Lithograph; second state of three (Delteil)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Adieu!...Adieu!....à la grâce de dieu...., from "Les Musiciens de Paris", published in Le Charivari

Honoré Daumier (d. 1879)

February 1, 1843 · Lithograph; third state of three (Delteil)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Un Bal Champêtre de Paris, from "Les Beaux Jours de la Vie"

Honoré Daumier (d. 1879)

July 19, 1844 · Lithograph; second state of two (Delteil)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La Marchande de Poisson, from Les Parisiens, plate 8

Paul Gavarni [Chevalier] (d. 1866)

1857 · Lithographs; second state of two (Armelhault & Bocher)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La carte surrealiste : première série

Georges Hugnet (d. 1974)

1937

In copyright

live
The MetSimilar

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