Seated Female Figure
Unrecorded maker
6th–9th century · Ceramic
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
5652 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
410 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 83 matching records exist across the two collections.
Results for "La Mendiante a la Sébille (The Female Be"12 records
Institutions answered newest-first by record, interleaved
Female Figurine
Unrecorded maker
1400–1533 · Silver
Cleared · Public Domain
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La Mendiante a la Sébille (The Female Beggar with the Begging Bowl), from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Jacques Callot (d. 1635)
ca. 1623 · Etching; first state of two (Lieure)
Cleared · Public Domain
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Reverse Copy of La Mendiante a La Sébille (The Female Beggar with The Begging Bowl), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)
Anonymous
17th century · Etching
Cleared · Public Domain
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La Liberté
Citoyenne de Monchy
ca. 1794 · Etching and pointillé
Cleared · Public Domain
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Alice, la Belle Pèlerine
Sir Edward Burne-Jones (d. 1898)
1858–59 · Graphite and black ink, heightened with white, on vellum; the head and shoulders on a subsidiary piece of vellum
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Mendiante a la Sébille (The Female Beggar with the Begging Bowl), from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Jacques Callot (d. 1635)
ca. 1623 · Etching; first state of two (Lieure)
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Mendiante a la Sébille (The Female Beggar with the Begging Bowl), from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Jacques Callot (d. 1635)
ca. 1623 · Etching; first state of two (Lieure)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Mendiante a la Sébille (The Female Beggar with the Begging Bowl), plate 20 from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Jacques Callot (d. 1635)
ca. 1623 · Etching; second state of two (Lieure); possibly a re-strike by Israel Silvestre
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Mendiante aux Béquilles (The Female Beggar with Crutches), plate 16 from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Jacques Callot (d. 1635)
ca. 1623 · Etching; second state of two (Lieure); possibly a re-strike by Israel Silvestre
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Mendiante Venant de Recevoir la Charité (The Female Beggar Receiving her Charity), plate 23 from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Jacques Callot (d. 1635)
ca. 1623 · Etching; second state of two (Lieure); possibly a re-strike by Israel Silvestre
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Liberté et l'Egalité
Sèvres Manufactory (d. 9999)
1793/4 · Blue and white biscuit (unglazed hard-paste porcelain) with gilding; ebonzied wood frame
In copyright
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