Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    715 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    447 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 9 matching records exist across the two collections.

Results for "La Mosquée d'Omar, à Jérusalem"9 records

Institutions answered newest-first by record, interleaved

22. Cour de la Mosquée el Ahzar, au Kaire by Joseph-Philibert Girault de Prangey, The Metropolitan Museum of Art

22. Cour de la Mosquée el Ahzar, au Kaire

Joseph-Philibert Girault de Prangey (d. 1892)

1843 · Lithograph

Cleared · Public Domain

live
The MetSimilar
La Mosquée d'Omar, à Jérusalem by Maxime Du Camp, The Metropolitan Museum of Art

La Mosquée d'Omar, à Jérusalem

Maxime Du Camp (d. 1894)

August 20, 1850 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
Palestine. Jérusalem. Mosquée d'Omar by Maxime Du Camp, The Metropolitan Museum of Art

Palestine. Jérusalem. Mosquée d'Omar

Maxime Du Camp (d. 1894)

August 20, 1850 · Salted paper print (Blanquart-Évrard process) from paper negative

Cleared · Public Domain

live
The MetSimilar
Vue de la Mosquée d'El-Melouyeh et d'un quartier de Jérusalem by Maxime Du Camp, The Metropolitan Museum of Art

Vue de la Mosquée d'El-Melouyeh et d'un quartier de Jérusalem

Maxime Du Camp (d. 1894)

August 1850 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
Jérusalem, Mosquée d'Omar, côté est, Intérieur de l'enceinte, 1 by Auguste Salzmann, The Metropolitan Museum of Art

Jérusalem, Mosquée d'Omar, côté est, Intérieur de l'enceinte, 1

Auguste Salzmann (d. 1872)

1854 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
Jérusalem, Mosquée d'Omar, côté Est, Intérieur de l'enceinte, 2 by Auguste Salzmann, The Metropolitan Museum of Art

Jérusalem, Mosquée d'Omar, côté Est, Intérieur de l'enceinte, 2

Auguste Salzmann (d. 1872)

1854 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
Jérusalem, Mosquée d'Omar, côté Nord, Intérieur de l'enceinte by Auguste Salzmann, The Metropolitan Museum of Art

Jérusalem, Mosquée d'Omar, côté Nord, Intérieur de l'enceinte

Auguste Salzmann (d. 1872)

1854 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
Jérusalem, Mosquée d'Omar, côté ouest by Auguste Salzmann, The Metropolitan Museum of Art

Jérusalem, Mosquée d'Omar, côté ouest

Auguste Salzmann (d. 1872)

1854 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
Jérusalem, Mosquée d'Omar, côté Ouest, Intérieur de l'enceinte by Auguste Salzmann, The Metropolitan Museum of Art

Jérusalem, Mosquée d'Omar, côté Ouest, Intérieur de l'enceinte

Auguste Salzmann (d. 1872)

1854 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.