
Agricultural deity with digging stick
Huastec artist(s)
900–1521 CE · Sandstone
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
293 ms. The Metropolitan Museum of Art, Collection API (Open Access)
423 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 8 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Agricultural deity with digging stick
Huastec artist(s)
900–1521 CE · Sandstone
Cleared · Public Domain
live
Naissance de Monsieur le Duc de Bourgogne (The Birth of Monsieur le Duc de Bourgogne), from Suite d'estampes gravées par madame la marquise de Pompadour d'après les pierres gravées de Guay, graveur du Roi
Madame la Marquise de Pompadour (d. 1764)
1751 · Etching and engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Naissance de Jésus (The Birth of Jesus), from "La Vie de La Sainte Vierge" (The Life of the Virgin)
Jacques Callot (d. 1635)
ca. 1633 · Etching; second state of three (Lieure)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Naissance de La Vierge Marie (The Birth of the Virgin), from "La Vie de La Sainte Vierge" (The Life of the Virgin)
Jacques Callot (d. 1635)
ca. 1633 · Etching; second state of three (Lieure)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mercure de France, February 1730 issue, with a Project for the Fireworks Display presented by the Spanish Ambassador on the Occasion of the Birth of the Dauphin
Jacques Dumont, called le Romain (d. 1781)
1730 · Illustrations: etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Birth of Erichthonios (La Naissance de Erechthée), plate 8 from "Peintures du Cabinet de Jules II, au Vatican de l'Invention de Raphael, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Chambers of Jules II in the Vatican by Raphael, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli (d. 1824)
1804 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Birth of Venus (La Naissance de Vénus), plate 7 from "Peintures du Cabinet de Jules II, au Vatican de l'Invention de Raphael, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Chambers of Jules II in the Vatican by Raphael, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli (d. 1824)
1804 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Birth of Christ, volume 3, plate 224 from "Monuments des Arts du Dessin"
Jean-Baptiste Mauzaisse (d. 1844)
1829 · Lithograph
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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