Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    332 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    274 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 638 matching records exist across the two collections.

Results for "La Plaine de la Plante à Biau"12 records

Institutions answered newest-first by record, interleaved

Plaque by an unrecorded maker, The Metropolitan Museum of Art

Plaque

Unrecorded maker

450–900 CE · Copper alloy

Cleared · Public Domain

live
The MetSimilar
La Plaine de la Plante à Biau by Théodore Rousseau, The Cleveland Museum of Art

La Plaine de la Plante à Biau

Théodore Rousseau (d. 1867)

c. 1854–62 · Print, cliché-verre

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Woman Playing the Violin, Seen from the Back by Louis de Carmontelle, The Metropolitan Museum of Art

Woman Playing the Violin, Seen from the Back

Louis de Carmontelle (d. 1806)

ca. 1758–59 · Red and black chalk, graphite, gouache and watercolor

Cleared · Public Domain

live
The MetSimilar
Woman Playing the Violin, Seen from the Front by Louis de Carmontelle, The Metropolitan Museum of Art

Woman Playing the Violin, Seen from the Front

Louis de Carmontelle (d. 1806)

ca. 1758–59 · Red and black chalk, graphite, and watercolor

Cleared · Public Domain

live
The MetSimilar
Jeune femme drapée, assise, arrosant une plante (Young draped woman, seated, watering a plant in the style of red-figure vase painting), most likely from Recueil de Différentes Compositions Frises et Ornements dessinées et gravées à la manière du lavis par La Grenée le Juene Se trouve chez l'Auteur, au Louvre et chez Basan, rue et Hôtel Serpente A Paris, in an album containing Recueil de Compositions par Lagrenée Le Jeune (Collection of Compositions by Lagrenée the Younger) by Jean Jacques Lagrenée, The Metropolitan Museum of Art

Jeune femme drapée, assise, arrosant une plante (Young draped woman, seated, watering a plant in the style of red-figure vase painting), most likely from Recueil de Différentes Compositions Frises et Ornements dessinées et gravées à la manière du lavis par La Grenée le Juene Se trouve chez l'Auteur, au Louvre et chez Basan, rue et Hôtel Serpente A Paris, in an album containing Recueil de Compositions par Lagrenée Le Jeune (Collection of Compositions by Lagrenée the Younger)

Jean Jacques Lagrenée (d. 1821)

ca. 1784 · Etching and aquatint, printed in red and black ink

Cleared · Public Domain

live
The MetSimilar
Du Moulin in Peasant Garb Dancing at the Opera by Jean Berain, The Metropolitan Museum of Art

Du Moulin in Peasant Garb Dancing at the Opera

Jean Berain (d. 1711)

n.d. · Etching and engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Regiment des Gardes Suisse. Revue de Monseigneur Le Comte D'Artois. Colonel General Suisse et Grisons. Faite a la Plaine des Sablons

Comte d'Artois

May 9, 1772

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fashion plate from 19e Cahier de Costumes Francais, 13e Suite d'Habillements à la mode depuis 1776

Claude Louis Desrais (d. 1816)

between 1776 and 1786

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Groupe tiré du Superbe Dessin de M. Moreau le Jeune Représentant la Revue du Roi a la Plaine des Sablons (Group taken from the Superb Design of M. Moreau le Jeune Representing the Review of the King at the Plaine des Sablons)

George Malbeste (d. 1843)

1787 · Etching and engraving; third state of three (Bocher)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A View of the Palace from the Lawn, in the Royal Gardens at Kew / Veüe du Palais prise de la Plaine, aux Jardins Royals de Kew

Joshua Kirby (d. 1774)

after 1763 · Etching, hand colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Tales of Two Countries

Alice Cordelia Morse (d. 1961)

1891 · Dark blue cloth covered boards with silver and gold decoration

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Textile

Paul Poiret (d. 1944)

ca. 1920 · Printed linen

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.