La Promenade (The Walk), from "Les Caprices" Series A, The Florence Set
Jacques Callot (d. 1635)
1617 · Etching; second state of two [?] (Lieure)
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
445 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
362 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 152 matching records exist across the two collections.
Results for "La Promenade (The Walk), plate 8 from "A"12 records
Institutions answered newest-first by record, interleaved
Reverse Copy of La Promenade (The Walk), from "Les Caprices" Series A, The Florence Set
Anonymous
17th century · Etching
Cleared · Public Domain
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A Moor Caught by the Bull in the ring, plate 8 from "La Tauromaquia"
Goya (Francisco de Goya y Lucientes) (d. 1828)
1816 · Etching, burnished aquatint, drypoint
Cleared · Public Domain
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Plate 8 from "La Tauromaquia": A Moor caught by the bull in the ring
Goya (Francisco de Goya y Lucientes) (d. 1828)
1816 · Etching, burnished aquatint, drypoint
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Promenade (The Walk), from Les Caprices Series A, The Florence Set
Jacques Callot (d. 1635)
1617 · Etching; first state of two [?] (Lieure)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Promenade du Matin (Morning Walk), from a series of 12 plates, engraved after a group known as the Ports de Mer de la France (harbor scenes) by J. Vernet
Thérèse Martinet (d. 1766)
1767 · Etching and engraving
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Promenade du Soir (Evening Walk), from a series of 12 plates, engraved after a group known as the Ports de Mer de la France (harbor scenes) by J. Vernet
Jacques Philippe Le Bas (d. 1783)
1767 · Etching and engraving; second state of two (Bocher)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 4
Rudolph Ackermann, London (d. 1832)
July–December 1810 · Illustrations: Hand-colored etching, engraving, stipple, woodcut and textile samples
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Promenade (The Walk), plate 8 from "Amours"
Paul Gavarni [Chevalier] (d. 1866)
ca. 1833 · Lithograph; second state of three (Armelhault & Bocher)
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Old Woman from Berkeley
Emile Bernard (d. 1941)
1892 · Zincograph printed in sepia
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Old Woman from Berkeley, from "Les Cantilènes"
Emile Bernard (d. 1941)
1892 · Hand-colored zincograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Promenade (The Walk), plate 8 from "Amours"
Paul Gavarni [Chevalier] (d. 1866)
19th century · Lithograph; second state of three (Armelhault & Bocher)
In copyright
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