Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    385 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    333 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 11 matching records exist across the two collections.

Results for "La Promenade de Versailles dédiée au Roi"11 records

Institutions answered newest-first by record, interleaved

Table by Pierre Gole, The Metropolitan Museum of Art

Table

Pierre Gole (d. 1684)

ca. 1660 · Oak and fruitwood veneered with tortoiseshell, stained and natural ivory, ebony, and other woods; gilt bronze

Cleared · Public Domain

live
The MetSimilar
Armchair (fauteuil à la reine) by an unrecorded maker, The Metropolitan Museum of Art

Armchair (fauteuil à la reine)

Unrecorded maker

ca. 1690–1710 · Carved and gilded walnut, late 17th-century wool velvet (not original)

Cleared · Public Domain

live
The MetSimilar
Armchair (part of a set) by Nicolas-Quinibert Foliot, The Metropolitan Museum of Art

Armchair (part of a set)

Nicolas-Quinibert Foliot (d. 1776)

ca. 1754–56 · Carved and gilded beech; wool and silk tapestry

Cleared · Public Domain

live
The MetSimilar
Armchair (part of a set) by Nicolas-Quinibert Foliot, The Metropolitan Museum of Art

Armchair (part of a set)

Nicolas-Quinibert Foliot (d. 1776)

ca. 1754–56 · Carved and gilded beech; wool and silk tapestry

Cleared · Public Domain

live
The MetSimilar
Armchair (part of a set) by Nicolas-Quinibert Foliot, The Metropolitan Museum of Art

Armchair (part of a set)

Nicolas-Quinibert Foliot (d. 1776)

ca. 1754–56 · Carved and gilded beech; wool and silk tapestry

Cleared · Public Domain

live
The MetSimilar
Settee (canapé) (part of a set) by Nicolas-Quinibert Foliot, The Metropolitan Museum of Art

Settee (canapé) (part of a set)

Nicolas-Quinibert Foliot (d. 1776)

ca. 1754–56 · Carved and gilded beech; wool and silk tapestry

Cleared · Public Domain

live
The MetSimilar
Commode à vantaux by David Roentgen, The Metropolitan Museum of Art

Commode à vantaux

David Roentgen (d. 1807)

ca. 1775–79 with later alterations · Oak, pine, walnut, mahogany, and cherry veneered with hornbeam (partially stained), tulipwood, walnut, holly and maple (both partially stained), boxwood, mahogany, and other woods; red brocatelle marble; gilt bronze; iron, steel, and brass

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Premiere journée: Représentations d'Alceste dans la cour de marbre du château de Versailles

Jean Le Pautre (d. 1682)

1675–76, reprinted ca. 1860

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Fête of 1674, Versailles: Fifth Day, August 18, Fireworks on the Grand Canal

Jean Le Pautre (d. 1682)

1675–76, reprinted ca. 1860 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Fête of 1674, Versailles: Sixth Day, August 31, Illuminations around the Grand Canal

Jean Le Pautre (d. 1682)

1675–76, reprinted ca. 1860 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La Promenade de Versailles dédiée au Roi

Madeleine de Scuderi

1920

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.