
La Promenade des Remparts de Paris
Pierre François Courtois (d. 1763)
1760 · Etching and engraving; third state of three (Bocher)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
735 ms. The Metropolitan Museum of Art, Collection API (Open Access)
358 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 130 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

La Promenade des Remparts de Paris
Pierre François Courtois (d. 1763)
1760 · Etching and engraving; third state of three (Bocher)
Cleared · Public Domain
live
L'Anglais a la Promenade Tout Déconcerté
Anonymous, French, 18th century (d. 1800)
1720–75 · Etching
Cleared · Public Domain
live
The Public Promenade
Louis Philibert Debucourt (d. 1832)
1792 · Etching, engraving, and aquatint printed in color
Cleared · Public Domain
live
Papal Promenade Along The Saône
Jean Jacques de Boissieu (d. 1810)
1805 · Etching with drypoint and roulette; third state of three
Cleared · Public Domain
live
La Promenade
Isaac Robert Cruikshank (d. 1856)
February 1828 · Hand-colored etching
Cleared · Public Domain
live
La Promenade
Eugène Isabey (d. 1886)
1857 · Lithograph
Cleared · Public Domain
live
A Winter's Walk
James Tissot (d. 1902)
1880 · Etching and drypoint on laid paper; second state of three
Cleared · Public Domain
live
A Winter's Walk
James Tissot (d. 1902)
1880 · Etching and drypoint on laid paper; first state of three
Cleared · Public Domain
live
Promenade dress
Mme. Blanchard
1882 · silk
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Promenade publique
Louis Philibert Debucourt (d. 1832)
ca. 1792 · Gouache. Laid down on old mount.
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Promenade de Versailles dédiée au Roi
Madeleine de Scuderi
1920
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Promenade sur le Port
Jean-Emile Laboureur (d. 1943)
1933 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.