
Nouveau Recueil des Troupes Legeres de France Levees depuis la presente Guerre, avec la date de leur creation, le nombre dont chaque Corps est compose; leur Uniforme & leurs Armes
P. B. La Rüe
1747
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
283 ms. The Metropolitan Museum of Art, Collection API (Open Access)
290 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 254 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Nouveau Recueil des Troupes Legeres de France Levees depuis la presente Guerre, avec la date de leur creation, le nombre dont chaque Corps est compose; leur Uniforme & leurs Armes
P. B. La Rüe
1747
Cleared · Public Domain
live
La Rue des Chantres (Rue des Chantres, Paris)
Charles Meryon (d. 1868)
1862 · Etching
Cleared · Public Domain
live
La Rue des Chantres, Paris
Charles Meryon (d. 1868)
1862 · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Deuxième Cahier du Recueil d'Ornemens; Guichets des Croisées des Thuileries; Trophées (Roundels decorated with trophies from the Tuilerie Palace)
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dixième Cahier du Recueil d'Ornemens: Trophées du Bosquet des Domes, dans le Parc de Versailles (Designs for trophies taken from the marble balustrade in the Bosquet des Domes in the gardens of the Palace of Versailles)
Louise Brinclaire (d. 1783)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Douzième Cahier du Recueil d'Ornemens (Two Friezes from San Lorenzo fuori La Mura in Rome)
Louise Brinclaire (d. 1783)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Douzième Cahier du Recueil d'Ornemens: Frieze Antique Prise à St Laurent hors des Murs à Rome (Frieze(s) taken from San Lorenzo fuori La Mura in Rome)
Louise Brinclaire (d. 1783)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Huitième Cahier du Recueil d'Ornemens: Fragment antique de la Ville des Empereurs (Antique Fragment(s) from the Village of the Emperors [the Roman Forums])
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Huitième Cahier du Recueil d'Ornemens: Frise des Entre-Pilastres du portique du Panthéon (Frieze(s) taken from the Portico of the Pantheon in Rome)
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Quatrième Cahier du Recueil d'Ornemens: Ornements de la Colonne Trajane (Ornaments from Trajan's Column)
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Receuil d'Ornemens: Chapiteau des quattre Colonnes du Milieu de la Salle des Thermes de Diocletien à Rome (Capital of the Four Columns in the Center of the Nave of the Baths of Diocletian in Rome)
Jean-Baptiste Lucien (d. 1806)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sixième Cahier du Recueil d'Ornemens: Guichets des Croisées de Clagny; Trophées (Designs for trophies taken from decorated wall panels at the Castle of Clagny)
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.