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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    250 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    308 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 105 matching records exist across the two collections.

Results for "La Sculpture monumentale, from Les Artis"12 records

Institutions answered newest-first by record, interleaved

Eagle transformation figure by Olmec artist(s), The Metropolitan Museum of Art

Eagle transformation figure

Olmec artist(s)

1000–400 BCE · Albitite

Cleared · Public Domain

live
The MetSimilar
Kneeling bearded figure by Olmec artist(s), The Metropolitan Museum of Art

Kneeling bearded figure

Olmec artist(s)

900–400 BCE · Serpentine, pigment

Cleared · Public Domain

live
The MetSimilar
Yuguito (ritual object) by Olmec artist(s), The Metropolitan Museum of Art

Yuguito (ritual object)

Olmec artist(s)

1300–400 BCE · Stone

Cleared · Public Domain

live
The MetSimilar
Bench Figure by an unrecorded maker, The Metropolitan Museum of Art

Bench Figure

Unrecorded maker

5th–2nd century BCE · Greenstone (muscovite-paragonite phyllite)

Cleared · Public Domain

live
The MetSimilar
Virgin and Child with the Young Saint John the Baptist by an unrecorded maker, The Metropolitan Museum of Art

Virgin and Child with the Young Saint John the Baptist

Unrecorded maker

ca. 1525–50 · Marble, partially gilt

Cleared · Public Domain

live
The MetSimilar
Plate from "La Voye de Laict ou le Chemin des Heros à l'entrée de Louis XIV en la Cité d'Avignon le 16 Novembre 1622" by Thomas de Berton, The Metropolitan Museum of Art

Plate from "La Voye de Laict ou le Chemin des Heros à l'entrée de Louis XIV en la Cité d'Avignon le 16 Novembre 1622"

Thomas de Berton

1623 · Etching

Cleared · Public Domain

live
The MetSimilar
Plate with scene from "Les Oies de Frère Philippe" by Nicolas Lancret, The Metropolitan Museum of Art

Plate with scene from "Les Oies de Frère Philippe"

Nicolas Lancret (d. 1743)

ca. 1745 · Porcelain

Cleared · Public Domain

live
The MetSimilar
Title and plate 1 depicting the cries (trades) of Rome, here including vendors of goldfish, Milanese swords, hats etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma' by Remondini, The Metropolitan Museum of Art

Title and plate 1 depicting the cries (trades) of Rome, here including vendors of goldfish, Milanese swords, hats etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'

Remondini (d. 1860)

ca. 1770–1800 · Engraving with hand coloring

Cleared · Public Domain

live
The MetSimilar
Les monuments d'Égypte by Oberkampf Manufactory, The Metropolitan Museum of Art

Les monuments d'Égypte

Oberkampf Manufactory (d. 1843)

ca. 1808 · Roller-printed cotton

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Apollon couronnant le Génie de la Peinture et de la Sculpture (Apollo Crowning the Genius of Painting and Sculpture), from Suite d'estampes gravées par madame la marquise de Pompadour d'après les pierres gravées de Guay, graveur du Roi

Madame la Marquise de Pompadour (d. 1764)

ca. 1755 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La Sculpture monumentale, from Les Artistes Aciens et Modernes, volume 7, plate 150

Paul Gavarni [Chevalier] (d. 1866)

1848–62 · Lithograph; second state of two (Armelhault & Bocher)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Flora

Paul-Albert Besnard (d. 1934)

1899 · Etching; third state of four

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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