
Eagle transformation figure
Olmec artist(s)
1000–400 BCE · Albitite
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
250 ms. The Metropolitan Museum of Art, Collection API (Open Access)
308 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 105 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Eagle transformation figure
Olmec artist(s)
1000–400 BCE · Albitite
Cleared · Public Domain
live
Kneeling bearded figure
Olmec artist(s)
900–400 BCE · Serpentine, pigment
Cleared · Public Domain
live
Yuguito (ritual object)
Olmec artist(s)
1300–400 BCE · Stone
Cleared · Public Domain
live
Bench Figure
Unrecorded maker
5th–2nd century BCE · Greenstone (muscovite-paragonite phyllite)
Cleared · Public Domain
live
Virgin and Child with the Young Saint John the Baptist
Unrecorded maker
ca. 1525–50 · Marble, partially gilt
Cleared · Public Domain
live
Plate from "La Voye de Laict ou le Chemin des Heros à l'entrée de Louis XIV en la Cité d'Avignon le 16 Novembre 1622"
Thomas de Berton
1623 · Etching
Cleared · Public Domain
live
Plate with scene from "Les Oies de Frère Philippe"
Nicolas Lancret (d. 1743)
ca. 1745 · Porcelain
Cleared · Public Domain
live
Title and plate 1 depicting the cries (trades) of Rome, here including vendors of goldfish, Milanese swords, hats etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'
Remondini (d. 1860)
ca. 1770–1800 · Engraving with hand coloring
Cleared · Public Domain
live
Les monuments d'Égypte
Oberkampf Manufactory (d. 1843)
ca. 1808 · Roller-printed cotton
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Apollon couronnant le Génie de la Peinture et de la Sculpture (Apollo Crowning the Genius of Painting and Sculpture), from Suite d'estampes gravées par madame la marquise de Pompadour d'après les pierres gravées de Guay, graveur du Roi
Madame la Marquise de Pompadour (d. 1764)
ca. 1755 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Sculpture monumentale, from Les Artistes Aciens et Modernes, volume 7, plate 150
Paul Gavarni [Chevalier] (d. 1866)
1848–62 · Lithograph; second state of two (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Flora
Paul-Albert Besnard (d. 1934)
1899 · Etching; third state of four
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.