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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    437 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    396 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 19 matching records exist across the two collections.

Results for "La Sortie de bébé"12 records

Institutions answered newest-first by record, interleaved

Sortie de la première Cataracte (côté S.E.) by Maxime Du Camp, The Metropolitan Museum of Art

Sortie de la première Cataracte (côté S.E.)

Maxime Du Camp (d. 1894)

1849–50 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
La Sortie de bébé by Marcellin Desboutin, The Metropolitan Museum of Art

La Sortie de bébé

Marcellin Desboutin (d. 1902)

1878 · Drypoint; second state of two

Cleared · Public Domain

live
The MetSimilar
The Departure of the Flock by Félix Brissot de Warville, The Metropolitan Museum of Art

The Departure of the Flock

Félix Brissot de Warville (d. 1892)

1880 · Etching and drypoint

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait de chien de Madame de Pompadour (Bébé [?]) (Portrait of a Dog Belonging to Madame de Pompadour (Bébé[?]), from Suite d'estampes gravées par madame la marquise de Pompadour d'après les pierres gravées de Guay, graveur du Roi

Madame la Marquise de Pompadour (d. 1764)

ca. 1755 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La Sortie de L'Opéra (Leaving the Opera), from "Le Monument du Costume"

George Malbeste (d. 1843)

ca. 1789 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Haute-Égypte. Sortie de la première Cataracte

Maxime Du Camp (d. 1894)

1850 · Salted paper print (Blanquart-Évrard process) from paper negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Les Fables de la Fontaine pour Bébé

Jean de La Fontaine (d. 1695)

ca. 1860

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La Ruelle des Reculettes, à sa sortie rue de Croulebarbe, illustration for "La Bièvre, les Gobelins Saint-Séverin"

Auguste-Louis Lepère (d. 1918)

1901 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Leaving the Opera House (La sortie de l'opera)

Marie-Louis-Pierre Vidal (d. 1929)

1908 · Watercolor over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A la sortie de Reims, from "Les Evacués"

Louis-Robert Antral (d. 1939)

1917 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Picadilly Circus (La Sortie des Theatres)" from Rues et Visages de Londres

Charles Laborde (d. 1941)

1928 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Incidentes melódicos del mundo irracional (Melodic Incidents of an Irrational World)

Juan de la Cabada (d. 1986)

1944 · Codex-form book with relief illustrations (wood engraving, linocut, scratch board), letterpress

In copyright

live
The MetSimilar

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2. Read the arithmetic

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3. Seal and export

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