
Esau Selling His Birthright to Jacob from The Story of Jacob series
Unrecorded maker
1550–75 · Wool, silk (18 warps per inch, 6–7 per cm.)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
2393 ms. The Metropolitan Museum of Art, Collection API (Open Access)
318 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 526 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Esau Selling His Birthright to Jacob from The Story of Jacob series
Unrecorded maker
1550–75 · Wool, silk (18 warps per inch, 6–7 per cm.)
Cleared · Public Domain
live
Jacob Sacrificing After Making a Covenant with Laban from The Story of Jacob series
Unrecorded maker
1550–75 · Wool, silk (18 warps per inch, 6–7 per cm.)
Cleared · Public Domain
live
Laban Looking for the Images and Making a Covenant with Jacob from The Story of Jacob series
Unrecorded maker
1550–75 · Wool, silk (18 warps per inch, 6–7 per cm.)
Cleared · Public Domain
live
Frederick Langenheim Looking at Talbotypes
W. & F. Langenheim (d. 1874)
ca. 1849–51 · Daguerreotype
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Old Court House and Street Looking South
Thomas Daniell (d. 1840)
1788 · Hand-colored aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sheet of thirty images for children: Old Woman, Serjeant and Hermit...Pointer Dog, Cat
Anonymous, British, 19th century (d. 1900)
1820–25 · Hand-colored woodcut and letterpress
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sheet of one hundred and forty-four images for children
Anonymous, British, 19th century (d. 1900)
1800–1850 · Hand-colored woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Port of New York, Bird's Eye View from the Battery, Looking South
Parsons & Atwater (d. 1900)
1872 · Colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Port of New York: Bird's Eye View from the Battery, Looking South
Lyman Wetmore Atwater (d. 1891)
1878 · Lithograph printed in color
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Corpse of North Vietnamese Soldier Surrounded by Debris Left by US Soldiers Looking for Souvenirs, Hue
Don McCullin (d. 9999)
1968 · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.