
Elephants by a Pool
Antoine-Louis Barye (d. 1875)
1810–75 · Watercolor on wove paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
581 ms. The Metropolitan Museum of Art, Collection API (Open Access)
515 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 556 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Elephants by a Pool
Antoine-Louis Barye (d. 1875)
1810–75 · Watercolor on wove paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Farm Buildings by a Pool
John Crome (d. 1821)
1812–13 · Etching on chine collé; first state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pool Dornie
Sir Francis Seymour Haden (d. 1910)
1874–78 · Etching and drypoint; first state of two (Harrington); fourth state of six (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Bustin The Pool"
Thomas B. Worth (d. 1917)
1889 · Lithograph, printed in color
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Cavorting by the Pool at Garsington]
Lady Ottoline Violet Anne Cavendish-Bentinck Morrell (d. 1938)
ca. 1916 · Gelatin silver prints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Cavorting by the Pool at Garsington]
Lady Ottoline Violet Anne Cavendish-Bentinck Morrell (d. 1938)
ca. 1916 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Cavorting by the Pool at Garsington]
Lady Ottoline Violet Anne Cavendish-Bentinck Morrell (d. 1938)
ca. 1916 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Cavorting by the Pool at Garsington]
Lady Ottoline Violet Anne Cavendish-Bentinck Morrell (d. 1938)
ca. 1916 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Cavorting by the Pool at Garsington]
Lady Ottoline Violet Anne Cavendish-Bentinck Morrell (d. 1938)
ca. 1916 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pool Parlor
Jacob Lawrence (d. 2000)
1942 · Watercolor and gouache on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Winter Pool
Robert Rauschenberg (d. 2008)
1959 · Combine painting: oil, paper, fabric, wood, metal, sandpaper, tape, printed paper, printed reproductions, handheld bellows, and found painting, on two canvases, with ladder
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ladies by Pool
Hobson Pittman (d. 1972)
ca. 1971 · Pastel over graphite on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.