
Lady Lee (Margaret Wyatt, born about 1509)
Hans Holbein the Younger (d. 1543)
early 1540s · Oil and gold on oak
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
386 ms. The Metropolitan Museum of Art, Collection API (Open Access)
328 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 152 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Lady Lee (Margaret Wyatt, born about 1509)
Hans Holbein the Younger (d. 1543)
early 1540s · Oil and gold on oak
Cleared · Public Domain
live
Prince and Ladies in a Garden
Nidha Mal (d. 1799)
mid-18th century · Ink, opaque watercolor, and gold on paper
Cleared · Public Domain
live
Lady with a Dog
Mather Brown (d. 1831)
1786 · Oil on canvas
Cleared · Public Domain
live
Lady About to Smoke a Hookah
Unrecorded maker
ca.1790 · Ink on paper
Cleared · Public Domain
live
A Lady About to Write a Poem
Yashima Gakutei (d. 1868)
ca. 1820 · Woodblock print (surimono); ink and color on paper
Cleared · Public Domain
live
Lady in Gray
James McNeill Whistler (d. 1903)
ca. 1883 · Watercolor and gouache on dark brown wove paper
Cleared · Public Domain
live
A lady
Alfred André (d. 1919)
late 19th century · Wax, gilt copper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Coffin of the Lady Nefer
Unrecorded maker
4th century BCE or later · Wood, paste, paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Madama Killegry
Wenceslaus Hollar (d. 1677)
1652 · Etching and engraving; second state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Parson's Daughter (Lady in a Brown Dress)
Samuel Arlent Edwards (d. 1938)
1912 (?) · Mezzotint printed in color, on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Emilia, Lady Cahir, Later Countess of Glengall (?)
Samuel Arlent Edwards (d. 1938)
1893–1934 · Mezzotint printed in color on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lady Lavinia Spencer
Samuel Arlent Edwards (d. 1938)
1893–1934 · Mezzotint printed in color on chine collé
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.