
The Lady Guldeforde (Mary Wotton, Lady Guildford)
Wenceslaus Hollar (d. 1677)
1647 · Etching; second state of two
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
518 ms. The Metropolitan Museum of Art, Collection API (Open Access)
809 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 156 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Lady Guldeforde (Mary Wotton, Lady Guildford)
Wenceslaus Hollar (d. 1677)
1647 · Etching; second state of two
Cleared · Public Domain
live
Lady Mary Butts
Wenceslaus Hollar (d. 1677)
1649 · Etching; first state of three (NH)
Cleared · Public Domain
live
Lady Mary Berkeley
Sir Godfrey Kneller (d. 1723)
ca. 1700 · Oil on canvas
Cleared · Public Domain
live
Lady Mary Cavendish-Bentinck (?-1843)
Jean Auguste Dominique Ingres (d. 1867)
1816 · Graphite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Lady Guldeforde (Mary Wotton, Lady Guildford)
Wenceslaus Hollar (d. 1677)
1647 · Etching, second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lady Butts
Wenceslaus Hollar (d. 1677)
1649 · Etching; first state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Madama Killegry
Wenceslaus Hollar (d. 1677)
1652 · Etching and engraving; second state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mary (née Ruthven), Lady Van Dyck
William Faithorne the Elder (d. 1691)
1658 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lady Mary (later Mary I, Queen of England)
Francesco Bartolozzi (d. 1815)
June 20, 1796 · Etching and stipple engraving, printed in color on pink paper; second state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Margaret Bacon, Lady Butts
Francesco Bartolozzi (d. 1815)
June 17, 1796 · Etching and stipple engraving, printed in color on pink paper; second state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lady at the Tea Table
Mary Cassatt (d. 1926)
1883–85 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Armed with Madness
Mary Butts (d. 1999)
1928 · Illustrations: lithographs
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.