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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    518 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    809 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 156 matching records exist across the two collections.

Results for "Lady Mary Butts"12 records

Institutions answered newest-first by record, interleaved

The Lady Guldeforde (Mary Wotton, Lady Guildford) by Wenceslaus Hollar, The Metropolitan Museum of Art

The Lady Guldeforde (Mary Wotton, Lady Guildford)

Wenceslaus Hollar (d. 1677)

1647 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar
Lady Mary Butts by Wenceslaus Hollar, The Metropolitan Museum of Art

Lady Mary Butts

Wenceslaus Hollar (d. 1677)

1649 · Etching; first state of three (NH)

Cleared · Public Domain

live
The MetSimilar
Lady Mary Berkeley by Sir Godfrey Kneller, The Metropolitan Museum of Art

Lady Mary Berkeley

Sir Godfrey Kneller (d. 1723)

ca. 1700 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Lady Mary Cavendish-Bentinck (?-1843) by Jean Auguste Dominique Ingres, The Metropolitan Museum of Art

Lady Mary Cavendish-Bentinck (?-1843)

Jean Auguste Dominique Ingres (d. 1867)

1816 · Graphite

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Lady Guldeforde (Mary Wotton, Lady Guildford)

Wenceslaus Hollar (d. 1677)

1647 · Etching, second state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Lady Butts

Wenceslaus Hollar (d. 1677)

1649 · Etching; first state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Madama Killegry

Wenceslaus Hollar (d. 1677)

1652 · Etching and engraving; second state of three

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Mary (née Ruthven), Lady Van Dyck

William Faithorne the Elder (d. 1691)

1658 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Lady Mary (later Mary I, Queen of England)

Francesco Bartolozzi (d. 1815)

June 20, 1796 · Etching and stipple engraving, printed in color on pink paper; second state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Margaret Bacon, Lady Butts

Francesco Bartolozzi (d. 1815)

June 17, 1796 · Etching and stipple engraving, printed in color on pink paper; second state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Lady at the Tea Table

Mary Cassatt (d. 1926)

1883–85 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Armed with Madness

Mary Butts (d. 1999)

1928 · Illustrations: lithographs

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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