La Vera Perfettione del Disegno di varie sorti di recami, page 26 (recto)
Giovanni Ostaus (d. 1607)
1567 · Woodcut
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
318 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
408 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 21 matching records exist across the two collections.
Results for "Lady Seated at a Table (recto); Dancing"12 records
Institutions answered newest-first by record, interleaved
Alcibiades Interrupting the Symposium (recto); Sketches of the Baptism of Christ and of a Man (verso)
Peter Paul Rubens (d. 1640)
ca. 1601–02 (recto); ca. 1601 (verso) · Pen and brown ink, over black chalk
Cleared · Public Domain
liveThe MetSimilar
Presentation Box
Unrecorded maker
first half of the 17th century · Carved red lacquer with gilded ground
Cleared · Public Domain
liveThe MetSimilar
A Lady in Limbo, or Jew Bail Rejected
Thomas Rowlandson (d. 1827)
November 30, 1785 · Etching and stipple
Cleared · Public Domain
liveThe MetSimilar
A Lady in Limbo, or Jew Bail Rejected
Thomas Rowlandson (d. 1827)
[November 30, 1785], reissued July 1, 1802 · Hand-colored etching and stipple
Cleared · Public Domain
liveThe MetSimilar
Two Studies of a Young Girl (possibly Louise-Reine Guffroy)(recto); A Study of a seated man with sketches of his hand, a girl, and a head (verso)
Adélaïde-Marie-Anne Castellas-Moitte (d. 1807)
ca. 1797 · Pen and brown ink (recto); graphite, pen and brown ink (verso)
Cleared · Public Domain
liveThe MetSimilar
Lady Seated at a Table (recto); Dancing Figures (verso)
George Romney (d. 1802)
1775 or later · Recto: pen and brown ink, brush and brown wash Verso: black chalk, pen and brown ink
Cleared · Public Domain
liveThe MetSimilar
Hope Told a Flattering Tale
William Heath ('Paul Pry') (d. 1840)
ca. 1828 · Hand-colored etching
Cleared · Public Domain
liveThe MetSimilar
Chinese Lady Seated at a Table, Composing an Ode
Yashima Gakutei (d. 1868)
1835 · Woodblock print (surimono); ink and color on paper
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Emily, Countess of Kildare
James McArdell (d. 1765)
1754 · Mezzotint; second state (?) of three
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Lady Reading
Sir Francis Seymour Haden (d. 1910)
1858 · Etching and drypoint; trial proof c (Harrington); sixth state of nine (Schneiderman)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album containing drawings, prints, manuscript pages and newspaper clippings
Marcus Clayton Stone (d. 1921)
1850–80 · Watercolor, pen and ink, wood engraving, engraving, printed text
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.