A Lady with Three Suitors
Unrecorded maker
c. 1500 · Drawing, pen and brown ink, brush and brown wash, with traces of black chalk
Cleared · CC0
liveCleveland Museum of ArtSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metsealed sample 2026-10-04T00:00:00.000Z
The Metropolitan Museum of Art did not answer: met answered HTTP 403
- Clevelandlive
313 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 40 matching records exist across the two collections.
Results for "Lady in Black"11 records
Institutions answered newest-first by record, interleaved
Court Lady with High Chignon
Unrecorded maker
c. 700–750 · Sculpture, earthenware with polychromy
Cleared · CC0
liveCleveland Museum of ArtSimilar
Mme L . . . (Laure Borreau)
Gustave Courbet (d. 1877)
1863 · Painting, oil on fabric
Cleared · CC0
liveCleveland Museum of ArtSimilar
Portrait of Anne Law (née Towry), 1st Lady Ellenborough
John Linnell (d. 1882)
c. 1821 · Portrait Miniature, watercolor on ivory heightened with gum arabic
Cleared · CC0
liveCleveland Museum of ArtSimilar
A Disconsolate Lady on a Terrace with Attendants
Unrecorded maker
c. 1730 · Painting, Gum tempera, silver, and gold on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Portrait of a Lady with an Elaborate Cartouche
Giuseppe Cades (d. 1799)
1785 · Drawing, Red chalk over graphite (portrait), pen and black ink and watercolor over graphite (surround), circular framing line in graphite
Cleared · CC0
liveCleveland Museum of ArtSimilar
Lady watching a swallow
Unrecorded maker
1736–95 · Print, Hanging scroll; multicolor woodblock print on paper, printed with black and blue outlines, hand colored
Cleared · CC0
liveCleveland Museum of ArtSimilar
The Right Honorable Lady Mary Radcliffe (1732-98), Wife of Francis Eyre, Esq.
Francis Cotes (d. 1770)
1755 · Drawing, pastel on laid paper lined with canvas
Cleared · CC0
liveCleveland Museum of ArtSimilar
Lady with water basin
Unrecorded maker
1736–95 · Print, Hanging scroll; multicolor woodblock print on paper, printed with black and blue outlines, hand colored
Cleared · CC0
liveCleveland Museum of ArtSimilar
Parasol Handle
Michael Evlampievich Perchin (d. 1903)
c. 1886–1903 · Metalwork, Gold, enamel, diamonds, and platinum filigree
Cleared · CC0
liveCleveland Museum of ArtSimilar
Portrait of a Woman
Gerard ter Borch (d. 1681)
c. 1665 · Painting, oil on canvas
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.