
Watch
Simon Hackett (d. 1664)
ca. 1632–40 · Case: enamel, glass, gold, and gilded brass; Movement: gilded brass and steel, partly blued
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
301 ms. The Metropolitan Museum of Art, Collection API (Open Access)
520 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 117 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Watch
Simon Hackett (d. 1664)
ca. 1632–40 · Case: enamel, glass, gold, and gilded brass; Movement: gilded brass and steel, partly blued
Cleared · Public Domain
live
Lady watching a swallow
Unrecorded maker
1736–95 · Print, Hanging scroll; multicolor woodblock print on paper, printed with black and blue outlines, hand colored
Cleared · CC0
live
A lady standing in center holding a fan watching the bathers in the river to right, other ladies and men watching bathers to left in the background, from "Various figures and lands" (Diverse figure e paesi)
Stefano della Bella (d. 1664)
1649 · Etching
Cleared · Public Domain
live
Depart de la Promenade, Des Boulevard de Paris
Anonymous, French, 18th century (d. 1800)
1770–80 · Hand-colored etching
Cleared · Public Domain
live
Rural Sports: Cat in a Bowl
Thomas Rowlandson (d. 1827)
April 24, 1811 · Hand-colored etching
Cleared · Public Domain
live
Noh Costume (Karaori) with Court Carriages, Cherry Blossoms, and Dandelions
Unrecorded maker
late 18th–first half of the19th century · Twill-weave silk brocade with supplementary-weft patterning in metallic thread
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Place des Victoires à Paris
Thomas Rowlandson (d. 1827)
November 1789 · Hand-colored etching and aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Lady Kneels Before George, Prince of Wales
Isaac Robert Cruikshank (d. 1856)
1810–1830 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Watch and Pin
Tiffany & Co. (d. 9999)
1870s · Gold, diamonds, silver
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.