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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    360 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    402 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 74 matching records exist across the two collections.

Results for "Lady-in-Waiting at Edo Castle"12 records

Institutions answered newest-first by record, interleaved

Parade Saddle by an unrecorded maker, The Metropolitan Museum of Art

Parade Saddle

Unrecorded maker

1400–1450 · Bone, polychromy, wood, birch bark

Cleared · Public Domain

live
The MetSimilar
The Hunters Return to the Castle (from the Unicorn Tapestries) by an unrecorded maker, The Metropolitan Museum of Art

The Hunters Return to the Castle (from the Unicorn Tapestries)

Unrecorded maker

1495–1505 · Wool warp with wool, silk, silver, and gilt wefts

Cleared · Public Domain

live
The MetSimilar
The Lady Guldeforde (Mary Wotton, Lady Guildford) by Wenceslaus Hollar, The Metropolitan Museum of Art

The Lady Guldeforde (Mary Wotton, Lady Guildford)

Wenceslaus Hollar (d. 1677)

1647 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar
Young Lady in Waiting by Katsukawa Shunshō 勝川春章, The Metropolitan Museum of Art

Young Lady in Waiting

Katsukawa Shunshō 勝川春章 (d. 1792)

18th century · Hanging scroll; ink and color on silk

Cleared · Public Domain

live
The MetSimilar
Florinda by Franz Xaver Winterhalter, The Metropolitan Museum of Art

Florinda

Franz Xaver Winterhalter (d. 1873)

1853 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Dye House at Konya-cho, Kanda by Utagawa Hiroshige, The Metropolitan Museum of Art

Dye House at Konya-cho, Kanda

Utagawa Hiroshige (d. 1858)

1857 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Lady-in-Waiting at Edo Castle by Utagawa Kuniyoshi 歌川國芳, The Metropolitan Museum of Art

Lady-in-Waiting at Edo Castle

Utagawa Kuniyoshi 歌川國芳 (d. 1861)

ca. 1854–60 (Ansei era) · Hanging scroll; ink and color on silk

Cleared · Public Domain

live
The MetSimilar
Waka Poem: “Across the fields and hills…” by Ōtagaki Rengetsu, The Metropolitan Museum of Art

Waka Poem: “Across the fields and hills…”

Ōtagaki Rengetsu (d. 1875)

19th century · Hanging scroll; ink on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Lady Guldeforde (Mary Wotton, Lady Guildford)

Wenceslaus Hollar (d. 1677)

1647 · Etching, second state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of Louise Frances de Lally

Caroline Lucy Scott, Lady Scott (d. 1827)

1805–20 · Black and white chalk

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Kidwelly Castle (Le Château de Kidwelly)

Sir Francis Seymour Haden (d. 1910)

1859 · Etching and drypoint; first state of two (Harrington); fourth state of six (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sunday in the Olden Time

Currier & Ives (d. 1907)

1857–71 · Hand-colored lithograph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.