
Parade Saddle
Unrecorded maker
1400–1450 · Bone, polychromy, wood, birch bark
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
360 ms. The Metropolitan Museum of Art, Collection API (Open Access)
402 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 74 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Parade Saddle
Unrecorded maker
1400–1450 · Bone, polychromy, wood, birch bark
Cleared · Public Domain
live
The Hunters Return to the Castle (from the Unicorn Tapestries)
Unrecorded maker
1495–1505 · Wool warp with wool, silk, silver, and gilt wefts
Cleared · Public Domain
live
The Lady Guldeforde (Mary Wotton, Lady Guildford)
Wenceslaus Hollar (d. 1677)
1647 · Etching; second state of two
Cleared · Public Domain
live
Young Lady in Waiting
Katsukawa Shunshō 勝川春章 (d. 1792)
18th century · Hanging scroll; ink and color on silk
Cleared · Public Domain
live
Florinda
Franz Xaver Winterhalter (d. 1873)
1853 · Oil on canvas
Cleared · Public Domain
live
Dye House at Konya-cho, Kanda
Utagawa Hiroshige (d. 1858)
1857 · Woodblock print; ink and color on paper
Cleared · Public Domain
live
Lady-in-Waiting at Edo Castle
Utagawa Kuniyoshi 歌川國芳 (d. 1861)
ca. 1854–60 (Ansei era) · Hanging scroll; ink and color on silk
Cleared · Public Domain
live
Waka Poem: “Across the fields and hills…”
Ōtagaki Rengetsu (d. 1875)
19th century · Hanging scroll; ink on paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Lady Guldeforde (Mary Wotton, Lady Guildford)
Wenceslaus Hollar (d. 1677)
1647 · Etching, second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of Louise Frances de Lally
Caroline Lucy Scott, Lady Scott (d. 1827)
1805–20 · Black and white chalk
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Kidwelly Castle (Le Château de Kidwelly)
Sir Francis Seymour Haden (d. 1910)
1859 · Etching and drypoint; first state of two (Harrington); fourth state of six (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sunday in the Olden Time
Currier & Ives (d. 1907)
1857–71 · Hand-colored lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.